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The Scat Song

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Part 24 of 78rpm popular music, 1920s–1930s, 2428 episodes

23 Who's Calling You Sweetheart To-Night

14

23 And He'd Say Oo-La-La! Wee Wee

14

23 And I Still Do

14

23 Apple Blossom

14

23 Casey and Cohen In the Army (Part 1)

14

23 Charmaine

14

23 Cool Papa (2)

14

23 Cool Papa

14

23 Good Evenin'

14

23 Hallelujah

14

23 Heat Waves

14

23 Here I Am

14

23 Holding My Honey's Hand

14

23 Love, Come Take Me

14

23 Magnolias In The Moonlight — Barry McKinley

14

23 Mama Inez

14

23 Meddlin' With The Blues — Harlem Trio

14

23 Moonlight On The Ganges

14

23 Nobody Loves No Baby

14

23 Oh How We Love Our Alma Mater

14

23 Oh Johnny, Oh Johnny Oh! — American Quartet

14

23 On the 515

14

23 Open Up Dem Pearly Gates

14

23 Swanee Babe

14

23 That's Georgia

14

23 The Gentleman Obviously Doesn't Believe vKay Weber

14

23 The Little Ford Rambled Right Along

14

23 Toodle-Oo

14

23 Trouble In Mind

14

23 Waitin' For Jane

14

23 Walkin' My Baby Back Home

14

23 Washboard Blues

14

23 Who — Adelaide Moffett

14

23 Who's Next

14

23 With A Song In My Heart — Ran Weeks

14

23 With A Song In My Heart

14

23 Summertime

14

23 Jack-In-The-Box

14

23 Nobody's Sweetheart Now

14

23 At The End Of Shady Lane

14

23 Bandana Days

14

23 Battle Of San Juan Hill

14

23 Bugle Call Rag

14

23 Crazy Rhythm

14

23 Das Chicago Song

14

23 Down in Sunshine Alley

14

24 A Year From Today — L. Levin

14

24 Aren't We All

14

24 Bagpipe Stomp

14

24 Bit

14

24 Buffoon

14

24 Call Of Love — Joe Sudy

14

24 Can't Stop Caring For You

14

24 Casey Jones

14

24 Casey and Cohen In the Army (Part 2)

14

24 Do The New York vDick Robertson

14

24 Everybody Two-Step

14

24 He Went In Like A Lion And Came Out Like A Lamb

14

24 I Was Lucky

14

24 I Wonder Who Wished Her on Me

14

24 Junk-Man's Serenade

14

24 Just As Washington Crossed The Delaware

14

24 Lambeth Walk — Paula Kelly

14

24 Leave It That Way — Dick Robertson

14

24 Mr. Hoover & Mr. Smith

14

24 My Castle In Spain Is A Shack In The Lane

14

24 Myrtle

14

24 On A Sunday Afternoon — Kay Weber

14

24 St. Louis Blues

14

24 Running Between The Rain-Drops

14

24 Sandman — Kay Weber

14

24 Siam

14

24 Singing A Vagabond Song

14

24 Sullivan from The American Idea

14

24 Sunday

14

24 Sweet Baby

14

24 Sweet Little You

14

24 The Peanut Vendor

14

24 The Woman In The Shoe

14

24 There Goes My Attraction

14

24 There's Oceans Of Love

14

24 Tonight Is Mine — Joe Sudy

14

24 Tonight's My Night With Baby

14

24 Wait Till You Get Them Up in the Air, Boys

14

24 You Can Have It - Pno.-Clarence Williams

14

24 You're Going To Get Something What You Don't Expect

14

24 Yours And Mine — Eddy Thomas

14

24 Yours Sincerely — Ran Weeks

14

24 What Have We Got To Lose (Hi-Ho-Lack-A-Day)

14

24 A Bow To The Borough Of The Bronx

14

24 A Lemon in the Garden of Love

14

24 Copenhagen

14

24 Cover Me Up With The Sunshine Of Virginia

14

24 Cuban Love Song

14

24 Darling Not Without You — Barry McKinley

14

24 Dinah Tells A Joke (You Will Believe A Dog Can Talk)

14

24 Molly Lee

14

24 I'm In Love Again

14

24 I'm In The Market For you

14

24 I'm Just Wild About Harry — Adelaide Moffett

14

24 In Harlem's Araby

14

24 It Goes Like This

14

24 Let Me Take You Home Tonight

14

24 Loveless Love

14

24 Mad Dogs And Englishmen

14

24 Mama Ines

14

24 Over There — American Quartet

14

24 Ragging The Scale

14

24 Red Lips Kiss My Blues Away — Don Howard & Harry Maxfield

14

24 Riverboat Shuffle

14

24 Subway

14

24 Sweet Sue - Just You

14

24 Sweetheart Darlin'

14

24 Tea For Two

14

24 The Groove Song (That's What I Like About the South)

14

24 The Man From Harlem

14

24 We Were The Best Of Friends

14

24 What Are We Waitin' For

14

24 What Would You Do (From The Paramount Production One Hour With You)

14

24 When You're Smiling

14

24 The Scat Song

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Description

A side transferred from a 78rpm disc, from a large collection of American popular music of the 1920s and 1930s. The 78 was the only commercial record format of the period: shellac, about three minutes a side, and played with a steel needle that wore the groove a little every time. What survives of the popular music of those two decades survives mostly because somebody kept the discs and somebody else transferred them. The song is "The Scat Song". Track 24. The recording date, the label and the matrix number are not in the file name; they would be on the disc itself.

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