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Ard Eevin — The Equator, 22 May 2005

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Part 2005142 of Ard Eevin, 38 shows

2003345 The Equator, 11 December 2003

2004031 The Equator, 31 January 2004

2004041 The Equator, 10 February 2004

2004047 The Gig, 16 February 2004

2004084 The Equator, 24 March 2004

2004107 The Joint, 16 April 2004

4.0 1 1

2004110 Disability Law Clinic - Living Room Performance, 19 April 2004

2004118 The Equator, 27 April 2004

2004122 Westwood Brewing Co., 1 May 2004

2004125 The Equator, 4 May 2004

2004128 Studio Suite, 7 May 2004

2004134 The Equator, 13 May 2004

2004150 The Daily Grind, 29 May 2004

2004160 BB King's, 8 June 2004

2004170 The Joint, 18 June 2004

4.0 1

2004171 The Daily Grind, 19 June 2004

2004172 BB King's, 20 June 2004

2004174 The Equator, 22 June 2004

2004182 The Equator, 30 June 2004

2004187 BB King's, 5 July 2004

5.0 1

2004226 Living Room Performance, 13 August 2004

2004230 The Fox Club, 17 August 2004

2004288 Lava Lounge, 14 October 2004

2004289 RJ's, 15 October 2004

4.0 1

2004289 The Daily Grind, 15 October 2004

5.0 1

2004290 Winnetka Oktoberfest, 16 October 2004

2004298 Genghis Cohen, 24 October 2004

2004298 Genghis Cohen, 24 October 2004

2004304 The Equator, 30 October 2004

2004332 Westwood Brewing Company, 27 November 2004

5.0 1

2004347 The Gig, 12 December 2004

2005023 Molly Malones, 23 January 2005

2005035 Hallenbeck's General Store, 4 February 2005

2005116 The Equator, 26 April 2005

2005128 The Equator, 8 May 2005

2005142 The Equator, 22 May 2005

Playing now

2005212 Glendale Marketplace, 31 July 2005

2005260 Glendale Marketplace, 17 September 2005

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Ard Eevin at The Equator, 22 May 2005. The archive holds 44 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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