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Caribou Foot — ECC, 8 October 2005

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Part 2005281 of Caribou Foot, 40 shows

2003317 The Grog Shop, 13 November 2003

2004038 The Grog Shop, 7 February 2004

1

2004044 Club Khameleon, 13 February 2004

2004078 The Outpost, 18 March 2004

2

2004085 The Outpost, 25 March 2004

2004087 The Outpost, 27 March 2004

2004116 ECC (Electric Community Center), 25 April 2004

2004121 The Outpost, 30 April 2004

2004143 Spring Jam, 22 May 2004

2004148 The Outpost, 27 May 2004

2004183 The Grog Shop, 1 July 2004

3.0 1

2004227 Nelson Ledges Quarry Park, 14 August 2004

2004286 The Grog Shop, 12 October 2004

2004303 Wilbert's, 29 October 2004

2004310 The Winchester, 5 November 2004

2004316 Electronic Community Center, 11 November 2004

4.0 1 1

2004338 The Winchester, 3 December 2004

1

2004338 The Winchester, 3 December 2004

5.0 1

2004345 Ruby Tuesday, 10 December 2004

2005007 The Winchester, 7 January 2005

1

2005035 The Grog Shop, 4 February 2005

1

2005049 The Winchester, 18 February 2005

1

2005057 Brown Hotel, 26 February 2005

2005063 Club Khameleon, 4 March 2005

1

2005088 Rathskeller, 29 March 2005

1.0 1

2005112 The Winchester, 22 April 2005

2005126 Kent State University, 6 May 2005

2005138 The Winchester, 18 May 2005

2005139 R/E Niteclub, 19 May 2005

2005177 Private Party, 26 June 2005

2005203 Club Khameleon, 22 July 2005

2005211 Drum Fest, 30 July 2005

4.0 1

2005281 ECC, 8 October 2005

Playing now

2005301 Rathskeller, 28 October 2005

2005307 Club Khameleon, 3 November 2005

1

2005322 ECC, 18 November 2005

2006147 The Winchester, 27 May 2006

2006315 The Village Inn, 11 November 2006

1.0 1

2007132 Musica, 12 May 2007

2007160 Nelson Ledges Quarry Park, 9 June 2007

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Caribou Foot at ECC, 8 October 2005. The archive holds 41 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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