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Carla Bozulich — Berkeley Art Museum, 19 August 2011

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Part 2011231 of Carla Bozulich, 36 shows

2003068 Bottom of the Hill, 9 March 2003

2

2003315 Great American Music Hall, 11 November 2003

2

2004247 Mills College Concert Hall, 3 September 2004

1

2005046 Starry Plough, 15 February 2005

5.0 1 1

2005292 Hemlock Tavern, 19 October 2005

1

2006179 Ivy Room, 28 June 2006

1

2006214 Hemlock Tavern, 2 August 2006

1

2006233 Great American Music Hall, 21 August 2006

4.0 1 1

2006234 Vanguard, 22 August 2006

3

2007169 Chelsea, 18 June 2007

1

2008067 Terminal, 7 March 2008

1

2008088 Bottom of the Hill, 28 March 2008

1

2008152 Le Sonic, 31 May 2008

1

2008241 Bowery Ballroom, 28 August 2008

3

2008257 Bottom of the Hill, 13 September 2008

1

2008260 House of Nostromo, 16 September 2008

1

2009029 Moby Dick Club, Madrid, 29 January 2009

2.0 1 1

2009198 The Eagle Tavern, 17 July 2009

1

2009297 p.m.k, 24 October 2009

5.0 1 2

2009346 Hemlock Tavern, 12 December 2009

3

2010175 21 Grand, 24 June 2010

1

2010223 Cafe Du Nord, 11 August 2010

5.0 1 2

2010271 rhiz, 28 September 2010

2

2010282 EKKO, Rumor Festival, 9 October 2010

5.0 1 1

2010311 The Sound Theater, 7 November 2010

2

2011231 Berkeley Art Museum, 19 August 2011

Playing now

2011288 Oakland Metro Operahouse, 15 October 2011

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2011289 The Lab, 16 October 2011

2

2011329 Porgy & Bess (Bluebird Festival), 25 November 2011

4.0 1 1

2012322 Dachstock Reitschule, 17 November 2012

2012327 Porgy & Bess (Blue Bird Festival / What a Constellation), 22 November 2012

1

2013200 The Night Light, 19 July 2013

1

2013229 Hemlock Tavern, 17 August 2013

1

2014108 p.m.k, 18 April 2014

1

2015098 Weststadthalle, 8 April 2015

2015098 Weststadthalle, 8 April 2015

1

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Carla Bozulich at Berkeley Art Museum, 19 August 2011. The archive holds 36 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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