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Charm — pony, 16 February 2012

2012G

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Part 2012047 of Charm, 36 shows

2010014 brunswick hotel, 14 January 2010

2010076 birmingham hotel, 17 March 2010

2010191 brunswick hotel, 10 July 2010

2010286 gertrudes brown couch, 13 October 2010

2010324 bridge hotel, 20 November 2010

4.0 1

2010325 annandale hotel, 21 November 2010

2010331 brunswick hotel (beer garden stage), 27 November 2010

2010345 brunswick hotel (beer garden stage), 11 December 2010

2011037 idgaff, 6 February 2011

2011041 noise bar, 10 February 2011

2011042 brunswick hotel, 11 February 2011

1

2011051 brunswick hotel, 20 February 2011

2011064 bender bar, 5 March 2011

2011097 elwood lounge, 7 April 2011

2011098 idgaff, 8 April 2011

2011104 gertrudes brown couch, 14 April 2011

2011118 brunswick hotel, 28 April 2011

2011120 esplanade hotel (basement stage), 30 April 2011

2011128 brunswick hotel, 8 May 2011

2011155 brunswick hotel, 4 June 2011

2011168 bender bar, 17 June 2011

2011179 brunswick hotel, 28 June 2011

2011189 ruby's (belgrave), 8 July 2011

2011194 gertrudes brown couch, 13 July 2011

2011210 idgaff, 29 July 2011

2011258 gertrudes brown couch, 15 September 2011

2011275 brunswick hotel, 2 October 2011

2011302 central club hotel, 29 October 2011

4.0 1

2011309 trev's backyard, 5 November 2011

4.0 1

2012019 bendigo hotel (collingwood), 19 January 2012

2012047 pony, 16 February 2012

Playing now

2012061 brunswick hotel, 1 March 2012

2012130 bar open, 9 May 2012

2012306 old bar, 1 November 2012

3.0 1

2014066 yah yah's, fitzroy, 7 March 2014

4.0 1

2014102 brunswick hotel, 12 April 2014

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Charm at pony, 16 February 2012. The archive holds 36 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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