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Danny Schmidt — Wyldwood Shows, 22 June 2019

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Part 2019173 of Danny Schmidt, 23 shows

2005313 La Pomme d'Eve, 9 November 2005

2005314 Chalet Ockenburgh, 10 November 2005

2006129 The Cactus Cafe, 9 May 2006

2006196 Jon & Vanessa's House Concert, 15 July 2006

2006252 Folkstage, WFMT Levin Music Performance Studio, 9 September 2006

2006342 The Fulston Manor Performing Arts Center, 8 December 2006

2007036 BRTO, 5 February 2007

2007156 Cactus Cafe, 5 June 2007

1

2007181 "Our House Concert", 30 June 2007

5.0 1 2

2007347 The Cactus Cafe, 13 December 2007

5.0 1 2

2008100 The Cactus Cafe, 9 April 2008

5.0 1

2009065 The Cactus Cafe, 6 March 2009

5.0 2 2

2009137 The Ark, 17 May 2009

2009275 Lage Vuursche, 2 October 2009

5.0 1

2009290 De Oude Veiling, 17 October 2009

5.0 1

2009330 Prince Albert (w/ Carrie Elkin), 26 November 2009

5.0 1

2010065 Levin Music Performance Studio, 6 March 2010

2010198 The Cactus Cafe, 17 July 2010

5.0 1

2011177 BBC Radio 2, 26 June 2011

2013089 Godfrey Daniels, 30 March 2013

1

2015298 Godfrey Daniels, 25 October 2015

1

2017098 Landhaven Bed & Breakfast, 8 April 2017

1

2019173 Wyldwood Shows, 22 June 2019

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From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Danny Schmidt at Wyldwood Shows, 22 June 2019. The archive holds 24 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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