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David Lauzon — private house party, 8 September 2006

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Part 2006251 of David Lauzon, 26 shows

2005352 Swizzles, 18 December 2005

1

2006090 Mavericks, 31 March 2006

1

2006129 Mavericks, 9 May 2006

2006138 Pepper Jack Cafe, 18 May 2006

1

2006182 40 Main Canada Day Party, 1 July 2006

2006224 Cafe Dekcuf, 12 August 2006

4.0 2 2

2006251 private house party, 8 September 2006

Playing now

2006273 Mavericks, 30 September 2006

2006294 Babylon, 21 October 2006

2006351 SAW Gallery, 17 December 2006

4.0 1

2006351 SAW Gallery, 17 December 2006

4.0 1

2007012 Mavericks, 12 January 2007

2007034 The Lancaster (Upstairs), 3 February 2007

2007034 The Lancaster (Upstairs), 3 February 2007

2007068 Mavericks, 9 March 2007

1

2007182 40 Main Canada Day Party, 1 July 2007

2007236 Pepper Jack Cafe, 24 August 2007

5.0 1 1

2007258 Cafe Dekcuf, 15 September 2007

2007258 Cafe Dekcuf, 15 September 2007

2007299 The Dominion On Queen, 26 October 2007

2007333 Cafe Dekcuf, 29 November 2007

2007350 Swizzles, 16 December 2007

2009004 Swizzles, 4 January 2009

2009094 Cafe Dekcuf, 4 April 2009

2009108 Swizzles, 18 April 2009

2009108 Swizzles, 18 April 2009

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. David Lauzon at private house party, 8 September 2006. The archive holds 26 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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