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David Mead — Edgehill Studios, 15 May 2006

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Part 2006135 of David Mead, 34 shows

2002175 The Saint, 24 June 2002

2002176 Tin Angel, 25 June 2002

2003063 Tin Angel, 4 March 2003

2003067 Club Cafe, 8 March 2003

2003193 The Trocadero, 12 July 2003

2003332 12th & Porter (show 2), 28 November 2003

4.0 1

2003332 12th & Porter (show 1), 28 November 2003

2004045 12th And Porter, 14 February 2004

2004135 Tower Records, 14 May 2004

2004176 Tin Angel, 24 June 2004

4.0 1

2004180 The Saint, 28 June 2004

2004182 Club Cafe, 30 June 2004

2004183 Iota, 1 July 2004

2004323 The Living Room, 18 November 2004

2004345 Eddie's Attic, 10 December 2004

1

2005190 Eddie's Attic, 9 July 2005

1

2005204 Satalla, 23 July 2005

2005205 The Saint, 24 July 2005

2005208 Tin Angel, 27 July 2005

2005248 Flying Otter Vineyards, 5 September 2005

1

2005308 Satalla, 4 November 2005

2005309 Steel City Coffeehouse, 5 November 2005

2005330 Red Light Cafe, 26 November 2005

2006134 3rd And Lindsley, 14 May 2006

2006135 Edgehill Studios, 15 May 2006

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1

2009254 Burlap And Bean, 11 September 2009

2009269 Flying Otter Vineyards, 26 September 2009

1

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. David Mead at Edgehill Studios, 15 May 2006. The archive holds 35 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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