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Deadman Flats — The Bottleneck, 4 September 2009

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Part 2009247 of Deadman Flats, 28 shows

2008110 Perry Pub, 19 April 2008

2008117 John's Bar, 26 April 2008

4.0 1

2008131 Gaslight, 10 May 2008

2008144 Private party, 23 May 2008

2008150 Rack 'Em Up, 29 May 2008

2008172 Rack 'Em Up, 20 June 2008

2008222 Three 20 South, 9 August 2008

2008284 The Bottleneck, 10 October 2008

1

2008297 Tony's, 23 October 2008

2008301 Ancient Mariner, 27 October 2008

2008303 Cafeteria, Colorado Mountain College, 29 October 2008

1

2008305 Scarlet Tavern, 31 October 2008

1

2009021 The Granada, 21 January 2009

5.0 1 1

2009021 The Granada, 21 January 2009

1

2009031 Eamon Patrick’s, 31 January 2009

2009058 Jazzhaus, 27 February 2009

4.0 1 1

2009066 Scarlet Tavern, 7 March 2009

2009067 Whistler’s Cafe, 8 March 2009

2009076 Replay, 17 March 2009

4.0 1

2009126 The Bottleneck, 6 May 2009

1

2009217 Tennessee Pass Cafe, 5 August 2009

2009220 The Cowgirl, 8 August 2009

5.0 1

2009220 The Cowgirl, 8 August 2009

5.0 1

2009247 The Bottleneck, 4 September 2009

Playing now

2009345 The Picador, 11 December 2009

2012096 The Wareham Opera House, 5 April 2012

1

2012096 The Wareham Opera House, 5 April 2012

1

2012125 The Bottleneck, 4 May 2012

3

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Deadman Flats at The Bottleneck, 4 September 2009. The archive holds 28 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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