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Guy Malone — The Red Door, 24 November 2005

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Part 2005328 of Guy Malone, 31 shows

2002108 The Elbow Room, 18 April 2002

2003233 The Brass Horse, 21 August 2003

2003243 MOE.DOWN 4, 31 August 2003

5.0 rating 1 reviews 2 favourites

2003284 Apple Festival, 11 October 2003

2003331 The Red Door, 27 November 2003

2003359 The Red Door, 25 December 2003

5.0 rating 1 reviews

2004065 King's Tavern Winter Carnival, 5 March 2004

1 favourites

2004108 The Red Door, 17 April 2004

5.0 rating 1 reviews

2004149 Toad's Place, 28 May 2004

5.0 rating 2 reviews

2004176 The Red Door, 24 June 2004

1 favourites

2004191 Toad's Place, 9 July 2004

2004218 The Red Door, 5 August 2004

2004302 The Red Door, 28 October 2004

2004360 Red Door, 25 December 2004

4.5 rating 2 reviews 3 favourites

2005050 The Red Door, 19 February 2005

2005050 The Red Door, 19 February 2005

2005084 Toad's Place, 25 March 2005

2005106 The Red Door, 16 April 2005

1 favourites

2005174 The Red Door, 23 June 2005

2005225 GUY MALONE FEST II, 13 August 2005

5.0 rating 1 reviews 1 favourites

2005328 The Red Door, 24 November 2005

Playing now

2005359 The Red Door, 25 December 2005

2006224 The Red Door, 12 August 2006

2007315 The Red Door, 11 November 2007

5.0 rating 1 reviews 1 favourites

2011036 Freight St. Gallery, Waterbury, CT, 5 February 2011

1 reviews

2011057 Boru's Bar and Grille, 26 February 2011

4.5 rating 2 reviews 1 favourites

2011099 Arch St. Tavern, 9 April 2011

2011217 Dancing Dick's Midnight Ramble, 5 August 2011

1 favourites

2011330 The Red Door, 26 November 2011

5.0 rating 1 reviews

2012056 Triple Play, 25 February 2012

5.0 rating 1 reviews

2012070 Side Street Bar and Grill, 10 March 2012

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Guy Malone at The Red Door, 24 November 2005. The archive holds 31 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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