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Harmony Riley — Kryptonite, 25 November 2004

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Part 2004330 of Harmony Riley, 27 shows

1999198 Bourbon St.~Kevin Buck solo, 17 July 1999

1

1999275 Metro, 2 October 1999

1999315 Times Theater, 11 November 1999

1999329 LT's, 25 November 1999

2

2000037 Zig's, 6 February 2000

2000038 Zig's, 7 February 2000

1

2000050 LT's, 19 February 2000

2000188 Summerfest, 6 July 2000

1

2000248 On The Waterfront Fest, 4 September 2000

2000287 LT's, 13 October 2000

2000360 LT's, 25 December 2000

1

2001055 Dave's Place ~ Private party, 24 February 2001

1

2001055 Dave's Place ~ Private party, 24 February 2001

1

2001139 LT's, 19 May 2001

2001176 Big Cities, 25 June 2001

1

2001215 Family Days, 3 August 2001

2002359 Lt's, 25 December 2002

2002359 LT's, 25 December 2002

1

2002359 LT's, 25 December 2002

1

2003045 Lt's~HR&420, 14 February 2003

1

2004030 Kryptonite, 30 January 2004

2

2004184 Kryptonite, 2 July 2004

1

2004330 Kryptonite, 25 November 2004

Playing now

2006359 Lt's, 25 December 2006

2009360 Giovanni's, 26 December 2009

1

2012363 Giovanni's, 28 December 2012

2012363 Giovanis, 28 December 2012

1

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Harmony Riley at Kryptonite, 25 November 2004. The archive holds 27 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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