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Hobex — the blind tiger, 26 July 2003

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Part 2003207 of Hobex, 23 shows

2000082 Mercury Lounge, 22 March 2000

5.0 1

2003102 The Pour House, 12 April 2003

4.0 2 2

2003135 Marvin's Mountaintop - Late Nite Stage - 7th Annual All Good Festival -, 15 May 2003

2003207 the blind tiger, 26 July 2003

Playing now

2003250 The Funk Box, 7 September 2003

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2004107 Skipper's Smokehouse, 16 April 2004

1

2004108 The Social Pavilion, 17 April 2004

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2004115 Lincoln Theatre, 24 April 2004

2004325 Blind Tiger, 20 November 2004

2

2005029 Tampa, 29 January 2005

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2005076 The Garage, 17 March 2005

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2006321 The Flying Anvil, 17 November 2006

2007115 WorkPlay Sound Stage, 25 April 2007

5.0 1 1

2007298 The Bottling Co., 25 October 2007

1

2009276 Main St., 3 October 2009

1

2010184 Fun Fourth, 3 July 2010

5.0 1

2010352 Pour House, 18 December 2010

1

2011279 Shakori Hills Grassroots Festival, 6 October 2011

5.0 2

2011351 Blind Tiger, 17 December 2011

2012042 Virginia Key Grassroots Music Festival, 11 February 2012

5.0 2 1

2012113 10th Annual Spring Shakori Hills Grassroots Festival, 22 April 2012

5.0 1 2

2013158 Texas Pete Twin City Ribfest 2013, 7 June 2013

1

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Hobex at the blind tiger, 26 July 2003. The archive holds 23 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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