RLB-Tube

82,003 pages read across the site in the last 24 hours · 57 pages a minute on average · 30 countries in the last 30 days

Sign in to listen

Free, with Google. The research on this page is open to everyone and always will be; signing in is what lets us serve the file.

Jam Samich — The Bullfrog, 8 May 2010

2010G

— (0)
Rate:

Part 2010128 of Jam Samich, 20 shows

2005141 Pub 1281, 21 May 2005

2005161 TC's Speakeasy, 10 June 2005

1

2005231 Cadieux Cafe, 19 August 2005

2005232 CJ's Brewery, 20 August 2005

2005245 TC's Speakeasy, 2 September 2005

2005267 CJ's Brewery, 24 September 2005

2005274 Papa Petes, 1 October 2005

2005280 Churchills, 7 October 2005

2005316 Rubbles, 12 November 2005

5.0 1

2005329 Hatchy's, 25 November 2005

2006014 Bullfrogs, 14 January 2006

5.0 1

2006364 Rubbles, 30 December 2006

2007047 The Magic Stick, 16 February 2007

5.0 1

2007138 The Magic Bag, 18 May 2007

4.0 1

2008312 The Magic Bag, 7 November 2008

2010128 The Bullfrog, 8 May 2010

Playing now

2010205 M's Gathering Place, 24 July 2010

2010364 The Magic Stick, 30 December 2010

1

2011042 The Elbow Room, 11 February 2011

2011327 The shark club, 23 November 2011

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Jam Samich at The Bullfrog, 8 May 2010. The archive holds 20 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

Details
loading…
Transcript
Open to load the transcript.

Add a review

Sign in to comment.