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Jamantics — Red River Theater, 28 April 2011

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Part 2011118 of Jamantics, 27 shows

2009232 Casino Ballroom, 20 August 2009

4

2010113 Spotlight Cafe, 23 April 2010

2010114 Keene State College - Solarfest - Fiske Quad, 24 April 2010

2010120 Harlow's Pub, 30 April 2010

2010136 Building on Hope, 16 May 2010

2010163 The Shaskeen, 12 June 2010

2010175 The Stone Church, 24 June 2010

2010190 Barley House, 9 July 2010

2010232 Harlow's Pub, 20 August 2010

2010232 Harlow's Pub, 20 August 2010

2010253 Moles Eye, 10 September 2010

2010268 Deej & Sara’s EnRagement Party, 25 September 2010

2010281 The Shaskeen, 8 October 2010

2010295 Moles Eye, 22 October 2010

2010323 The Shaskeen, 19 November 2010

2010330 The Stone Church, 26 November 2010

2

2010330 The Stone Church, 26 November 2010

1

2010357 Penuche's Ale House, 23 December 2010

2011099 The Stone Church, 9 April 2011

2011099 The Stone Church, 9 April 2011

2011118 Red River Theater, 28 April 2011

2011118 Red River Theatres, 28 April 2011

2011118 Red River Theater, 28 April 2011

Playing now

2011121 UNH Solarfest, 1 May 2011

1

2011121 UNH Solarfest, 1 May 2011

2011139 Rock N' Race, State House Plaza, 19 May 2011

2011231 Spotlight Cafe, 19 August 2011

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Jamantics at Red River Theater, 28 April 2011. The archive holds 27 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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