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Jazz Mandolin Project — Tipitina's Uptown, 25 April 1999

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Part 1999115 of Jazz Mandolin Project, 285 shows

1997025 Be Here Now, 25 January 1997

1 reviews

1997030 cat's cradle, 30 January 1997

1997044 The Last Elm Cafe, 13 February 1997

1997066 Wilbert's, 7 March 1997

1997068 The Mill, 9 March 1997

1997091 Be Here Now, 1 April 1997

1997092 Cat's Cradle, 2 April 1997

1997121 Iron Horse Music Hall - Northampton, MA, 1 May 1997

1997129 Folk Fest, Hobart & William Smith Colleges, 9 May 1997

1997130 UMass Spring Concert (campus pond), 10 May 1997

1997173 GOTV Croton Point Park, 22 June 1997

1997177 Ziggy's, 26 June 1997

1997212 Graffiti Showcase, 31 July 1997

1997213 Euclid Tavern, 1 August 1997

1997214 The Main Event, 2 August 1997

1997219 Festival Park, 7 August 1997

1997219 Riverfront Park, 7 August 1997

1997220 Chelsie's, 8 August 1997

1997248 Iron Horse Music Hall - Northampton, MA, 5 September 1997

1997283 Atomic Club, 10 October 1997

1997305 Palookaville, 1 November 1997

1998020 Theatre of Living Arts, 20 January 1998

1998021 The Knitting Factory, 21 January 1998

1 reviews

1998027 Be Here Now, 27 January 1998

1998028 Cat's Cradle, 28 January 1998

1998031 CAC Freeport Theater, 31 January 1998

1998033 Stubb's BBQ (Inside), 2 February 1998

1998034 Stubb's BBQ (Inside), 3 February 1998

1998037 Ace of Clubs, 6 February 1998

1998037 Ace of Clubs, 6 February 1998

1998038 Sycamore Gardens, 7 February 1998

1998038 Sycamore Gardens, 7 February 1998

1998039 Graffiti Showcase, 8 February 1998

1998039 Graffiti, 8 February 1998

1998150 Armadillo Festival, 30 May 1998

1998151 Shuba's, 31 May 1998

1998157 Rosebud, 6 June 1998

1998172 Crete Memorial Park, 21 June 1998

1998172 GOTV Plattsburgh, NY, 21 June 1998

1998204 Higher Ground, 23 July 1998

1998209 Ripley's Alive, 28 July 1998

1998211 The Millenium, 30 July 1998

1998281 Higher Ground, 8 October 1998

1998295 Mellon Institute, 22 October 1998

1998297 Trax, 24 October 1998

1998308 Alley Katz, 4 November 1998

1999031 Alliot Hall Coffehouse - St. Michael's College, 31 January 1999

1999041 Higher Ground, 10 February 1999

1999043 Ney York City, NYC, 12 February 1999

1999064 Theater of the Living Arts, 5 March 1999

1999065 Beehive Theatre, 6 March 1999

1999065 Beehive, 6 March 1999

1999084 Cicero's, 25 March 1999

1999087 Gilly's, 28 March 1999

1999110 The Juke Joint, 20 April 1999

1999115 Tipitina’s Uptown, 25 April 1999

1999115 Tipitina's Uptown, 25 April 1999

Playing now

1999132 Graffiti, 12 May 1999

1999132 Graffiti Showcase, 12 May 1999

1999134 Milestones, 14 May 1999

1999135 Hobart Folk Festival Geneva, NY, 15 May 1999

1999177 Rich Farms, 26 June 1999

1 reviews

1999195 Gilly's Jazz Club, 14 July 1999

1999196 CEFCU Center Stage, 15 July 1999

1999197 Gypsies on the River Festival, 16 July 1999

1999254 The Wild Duck, 11 September 1999

1999259 Cafe Tomo, 16 September 1999

3 reviews

1999274 Beehive, 1 October 1999

1999337 Higher Ground, 3 December 1999

2000032 The Palladium, 1 February 2000

2000034 The Odeon Concert Club, Cleveland, OH, 3 February 2000

2000036 Mississippi Nights, 5 February 2000

2000036 Mississippi Nights, 5 February 2000

2000036 Mississippi Nights, 5 February 2000

1 reviews

2000036 Mississippi Nights, 5 February 2000

2000037 Liberty Hall, 6 February 2000

2000042 Canopy Club, 11 February 2000

2000042 The Canopy Club, 11 February 2000

1 reviews

2000046 The Vogue, 15 February 2000

2000047 The Seventh House, 16 February 2000

2000048 The Seventh House, 17 February 2000

2000134 calvin theatre, 13 May 2000

2000161 The Middle East, 9 June 2000

2000183 The Newport Music Hall, 1 July 2000

2000184 Uncle Sam's Freedom Jam, Huntsburg, OH, 2 July 2000

2000185 Club Cafe, 3 July 2000

2000187 Cain Park, Cleveland Heights, OH, 5 July 2000

2000189 Wendell State Forest, 7 July 2000

2000189 wendell state park, 7 July 2000

2000191 GM Carrefour Stage - Montreal Int. Jazz Festival, 9 July 2000

2000232 Grassroots Music Festival, 19 August 2000

2000239 Fitzgeralds, 26 August 2000

2000274 W.O.W. Hall, 30 September 2000

2000286 Showplace Theatre, 12 October 2000

2 reviews

2000289 iron horse music hall, 15 October 2000

2000302 Harlen Adams Theater, 28 October 2000

2000309 Higher Ground, 4 November 2000

2000315 Beehive Theatre, 10 November 2000

2001034 Filene Recital Hall, Skidmore College, 3 February 2001

2001034 Filene Recital Hall, Skidmore College, 3 February 2001

2001048 iron horse music hall, 17 February 2001

2001055 Russian Center, 24 February 2001

2001066 Cicero's, 7 March 2001

2001066 Cicero's, 7 March 2001

2001066 Cicero's, 7 March 2001

2001069 Knickerbocker's, 10 March 2001

2001069 Knickerbocker's, 10 March 2001

2001076 Gilly's, 17 March 2001

2001110 State Theater, 20 April 2001

2001110 The State Theater, 20 April 2001

2001111 Higher Ground, 21 April 2001

2001121 Chelsea's Cafe, 1 May 2001

2001160 Scottypaluza, 9 June 2001

2001161 Point State Park, 10 June 2001

2001178 McLaughlin-Norcross Memorial Dell, 27 June 2001

2001187 High Sierra Music Festival, 6 July 2001

2001202 Sunshine Daydream Campground, 21 July 2001

2 reviews

2001220 Brewster's on Water Street, 8 August 2001

2001220 Brewster's, 8 August 2001

1 reviews

2001221 Brewster's, 9 August 2001

2001221 Brewster's on Water Street, 9 August 2001

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Jazz Mandolin Project at Tipitina's Uptown, 25 April 1999. The archive holds 281 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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