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Karma To Burn — 123 Pleasant St., 31 October 2009

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Part 2009304 of Karma To Burn, 80 shows

1999032 Euclid Tavern, 1 February 1999

2000053 Top Cat's, 22 February 2000

4.0 rating 1 reviews

2000109 Little Brother's, 18 April 2000

2000128 The Mason Jar, 7 May 2000

2001088 Empire Club, 29 March 2001

5.0 rating 1 reviews

2001260 123 Pleasant St., 17 September 2001

5.0 rating 1 reviews

2001283 Recher Theater, 10 October 2001

2009110 Lit Lounge, 20 April 2009

2009110 Lit Lounge, 20 April 2009

2009110 Lit Lounge, 20 April 2009

2009161 Substage, 10 June 2009

2009179 Graspop Metal Meeting, 28 June 2009

2009181 Café Landespavillon, 30 June 2009

2009190 Sojo, 9 July 2009

2009295 West Shore Hardware Bar, 22 October 2009

5.0 rating 2 reviews

2009296 Ravari Room, 23 October 2009

2009296 Ravari Room, 23 October 2009

2009304 123 Pleasant St., 31 October 2009

1 favourites

2009304 123 Pleasant St., 31 October 2009

Playing now

2010091 Substage, 1 April 2010

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2010107 Green Room, 17 April 2010

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2010111 Academy 3, 21 April 2010

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2010134 The Knitting Factory, 14 May 2010

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2010134 The Knitting Factory, 14 May 2010

2010135 The Note, 15 May 2010

2010139 31st Street Pub, 19 May 2010

2010142 123 Pleasant St., 22 May 2010

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2010143 Ravari Room, 23 May 2010

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2010146 Double Door, 26 May 2010

2010211 Sonisphere, 30 July 2010

2010219 Posthalle, 7 August 2010

5.0 rating 1 reviews

2010221 Melkweg, 9 August 2010

2010222 Garage, 10 August 2010

2010222 Garage, 10 August 2010

2010276 Roseland Theater, 3 October 2010

2010304 Baroeg, 31 October 2010

2010312 Trix, 8 November 2010

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1 favourites

2010326 Zwölfzehn, 22 November 2010

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2010331 Muziekgieterij, 27 November 2010

2010337 Theater of the Living Arts, 3 December 2010

2010341 Mr. Small's Funhouse, 7 December 2010

1 reviews

2010343 The V Club, 9 December 2010

4.0 rating 1 reviews

2010346 The Metro, 12 December 2010

2011090 123 Pleasant St., 31 March 2011

2011092 Ravari Room, 2 April 2011

2011097 Cicero's, 7 April 2011

2011148 Café Landespavillon, 28 May 2011

2011149 White Rabbit, 29 May 2011

5.0 rating 1 reviews

2011188 Aplerstedter See, 7 July 2011

2011218 The Cockpit, 6 August 2011

2011244 The One Stop, 1 September 2011

1 favourites

2011350 AN Club, 16 December 2011

5.0 rating 1 reviews 1 favourites

2012084 123 Pleasant St., 24 March 2012

2012240 Sound Control, 27 August 2012

2012335 123 Pleasant St., 30 November 2012

2012343 31st Street Pub, 8 December 2012

2013025 AN Club, 25 January 2013

1 favourites

2013082 123 Pleasant Street, 23 March 2013

2013164 Metal Dome @ Graspop Metal Meeting, 13 June 2013

1 reviews

2013288 Der Hirsch, 15 October 2013

2014361 123 Pleasant Street, 27 December 2014

2015041 Replay Lounge, 10 February 2015

2015041 Replay Lounge, 10 February 2015

2015041 Replay Lounge, 10 February 2015

2015044 123 Pleasant Street, 13 February 2015

2015116 Koko, 26 April 2015

2016057 123 Pleasant Street, 26 February 2016

2016133 123 Pleasant Street, 12 May 2016

2016239 123 Pleasant Street, 26 August 2016

2017108 The Riot Room, 18 April 2017

2017255 123 Pleasant Street, 12 September 2017

2018074 123 Pleasant Street, 15 March 2018

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Karma To Burn at 123 Pleasant St., 31 October 2009. The archive holds 84 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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