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Kelly Pardekooper — The Sanctuary, 26 November 2005

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Part 2005330 of Kelly Pardekooper, 29 shows

2001131 Gabes Oasis, 11 May 2001

5.0 1

2003277 Take Root Festival, 4 October 2003

5.0 1 1

2003286 Sinkkasten - Frankfurt, Germany, 13 October 2003

2003364 The Mill Resturant, 30 December 2003

1

2005147 The Mill, 27 May 2005

2005238 Vaudeville Mews, 26 August 2005

2005307 The Mill, 3 November 2005

2005330 The Sanctuary, 26 November 2005

Playing now

2006056 The Mill, 25 February 2006

2006077 High Noon Saloon, 18 March 2006

4.0 1

2006080 King Club, 21 March 2006

3.7 3 1

2006080 King Club, 21 March 2006

1

2006223 The Mill, 11 August 2006

2006294 The Mill, 21 October 2006

2006329 The Sanctuary, 25 November 2006

2006343 The Mill, 9 December 2006

2007033 The Mill, 2 February 2007

2007139 The Mill, 19 May 2007

2007153 The Mill, 2 June 2007

2007209 The Mill, 28 July 2007

2008109 The Mill, 18 April 2008

2008333 The Mill, 28 November 2008

2010360 Blue Moose Taphouse, 26 December 2010

1

2011253 Blue Moose Tap House, 10 September 2011

2011330 The Englert Theatre, 26 November 2011

2012328 The Mill, 23 November 2012

2013159 Gabe's, 8 June 2013

2014333 The Mill, 29 November 2014

2017070 The Mill, 11 March 2017

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Kelly Pardekooper at The Sanctuary, 26 November 2005. The archive holds 30 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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