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Miles Nielsen — Kryptonite, 2 October 2004

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Part 2004276 of Miles Nielsen, 73 shows

2004276 Kryptonite, 2 October 2004

Playing now

2009017 Cafe Carpe, Ft. Atkinson, WI, 17 January 2009

2009353 Daddio's, 19 December 2009

5.0 1 2

2010021 The Mill, 21 January 2010

4.0 1

2010028 The Frequency, 28 January 2010

1

2010120 Blue Moose Taphouse, 30 April 2010

2010142 Double Door, 22 May 2010

1

2010219 Farmfest450, 7 August 2010

1

2010219 FarmFest450, 7 August 2010

2010219 Farmfest450, 7 August 2010

1

2010259 The Busted Lift, 16 September 2010

2010352 The Wheelhouse, 18 December 2010

1

2011084 The Wheelhouse, 25 March 2011

2011161 The Wheelhouse, 10 June 2011

1

2012026 The Hub, 26 January 2012

2012027 Gabe's, 27 January 2012

2012084 Mary's Place, 24 March 2012

3

2012167 Mary's Place, 15 June 2012

5.0 1 1

2012194 Sinissippi Band Shell, 12 July 2012

1

2012201 The Hub, 19 July 2012

1

2012224 FarmFest 450, 11 August 2012

1

2012224 The Riverwalk Amphitheater, 11 August 2012

2012246 Mary's Place, 2 September 2012

1

2012321 Castle Theatre, 16 November 2012

1

2013121 High Noon Saloon, 1 May 2013

1

2013158 House of Blues, 7 June 2013

2013167 Klehm Botanical Gardens, 16 June 2013

1 1

2013264 Davis Park, 21 September 2013

1

2014235 Hopstring Fest @ Silver Cross Field, 23 August 2014

2014235 Hopstring Festival; Joliet,IL, 23 August 2014

2014243 Mary's Place, 31 August 2014

1

2015149 Mary's, 29 May 2015

1

2015185 Rotown Records, 4 July 2015

5.0 1 1

2016071 Mary's Place, 11 March 2016

1

2016186 Rowtown Records, 4 July 2016

2016330 Memorial Hall, 25 November 2016

2017076 Mary's Place, 17 March 2017

1

2017185 Rowtown Records, 4 July 2017

4.0 1 1

2017230 Brick & Mortar Music Hall, 18 August 2017

2017357 Mary's Place, 23 December 2017

1

2018185 Rotown Records, 4 July 2018

1

2018245 Mary's Place, 2 September 2018

1

2018327 Memorial Hall, 23 November 2018

2018356 Mary's Place, 22 December 2018

2019081 The Castle Theatre, 22 March 2019

2019145 Mary's Place, 25 May 2019

1

2019176 Anderson Gardens, 25 June 2019

2019244 Mary's Place, 1 September 2019

1

2019360 Monarch Music Hall, 26 December 2019

2019361 Mary's Place, 27 December 2019

2020004 Shank Hall, 4 January 2020

2

2021243 Anderson Gardens, 31 August 2021

2

2021275 Tumbled Rock Brewery, 2 October 2021

2021336 Majestic Theatre~The Nielsen Trust, 2 December 2021

1

2022050 Mary's Place, 19 February 2022

1

2022112 Mary's Place, 22 April 2022

2022179 Anderson Gardens, 28 June 2022

2

2022274 Tumble Rock Brewery, 1 October 2022

2022295 BMO, 22 October 2022

1

2022329 Memorial Hall, 25 November 2022

1

2022356 Verdi Club, 22 December 2022

1

2023110 Verdi Club, 20 April 2023

1

2023171 Anderson Gardens, 20 June 2023

2023210 Atwood Fest, 29 July 2023

2023229 Prairie Street Brewhouse, 17 August 2023

2023327 Verdi Hall, 23 November 2023

1

2024048 Mary's Place, 17 February 2024

2024170 Anderson Gardens, 18 June 2024

2024329 Coronado Theatre~DJM Celabration of Life, 24 November 2024

2025161 Anderson Gardens, 10 June 2025

1

2025166 Marquette Waterfront Fest, 15 June 2025

2025226 Prairie Street Brewing, 14 August 2025

2025332 Verdi Hall, 28 November 2025

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Miles Nielsen at Kryptonite, 2 October 2004. The archive holds 76 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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