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Mother Ton — Spotlight Tavern, 21 November 2014

2014G

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Part 2014325 of Mother Ton, 33 shows

2013228 Stone Church, 16 August 2013

2013289 Middle East Upstairs, 16 October 2013

2014064 Stone Church, 5 March 2014

1

2014144 StrangeCreek Campout - Camp Kee-Wanee, 24 May 2014

2014144 Camp Kee-Wanee, StrangeCreek Campout, 24 May 2014

5.0 1 1

2014206 Middle East Downstairs, 25 July 2014

2014257 Camp Kee-Wanee, Wormtown Music Festival, 14 September 2014

5.0 1

2014257 Camp KeeWanee, 14 September 2014

2014325 Spotlight Tavern, 21 November 2014

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2014346 Spot Underground, 12 December 2014

2015020 Chit Chat Lounge, 20 January 2015

2015037 Jade Dragon, 6 February 2015

2015059 Middle East Downstairs, 28 February 2015

2015072 The Cabot Theatre, 13 March 2015

2015088 Milky Way Lounge, 29 March 2015

2015128 Opus Underground, 8 May 2015

2015143 Camp Kee-Wanee, StrangeCreek Campout, 23 May 2015

1

2015143 Camp Kee-Wanee, StrangeCreek Music Festival, 23 May 2015

2015156 The Pickled Onion, 5 June 2015

2015170 Harry's Hill, 19 June 2015

2015176 Uncle Eddie's Tavern, 25 June 2015

2015263 Camp Kee-Wanee, Wormtown Music Festival, 20 September 2015

2015263 Camp Kee-Wanee, Wormtown Music Festival, 20 September 2015

1

2016105 Thunder Road Music Club & Rock n' Roll Bistro, 14 April 2016

2016261 Camp Kee-Wanee, Wormtown Music Festival, 17 September 2016

2016261 Wormtown Music Festival - Camp Kee-Wanee, 17 September 2016

2016261 Camp Kee-Wanee, Wormtown Music Festival, 17 September 2016

1

2017147 Strange Creek Campout, 27 May 2017

2017187 Middle East Downstairs, 6 July 2017

2017215 Thunder Road, 3 August 2017

2017264 Opus Underground, 21 September 2017

1

2019290 Sally O'Brien's, 17 October 2019

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Mother Ton at Spotlight Tavern, 21 November 2014. The archive holds 37 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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