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Moxy Fruvous — Trinity St. Paul Centre, 8 December 1999

1999G

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Part 1999342 of Moxy Fruvous, 75 shows

1994259 Rollin Stone Cabaret, 16 September 1994

1995297 Iron Horse Music Hall, 24 October 1995

1

1996159 Graffiti, 7 June 1996

1996242 Iron Horse Music Hall, 29 August 1996

1997138 Woodbury Ski Area, 18 May 1997

1997206 Styleen's Rhythm Palace, 25 July 1997

1997273 Paradise, 30 September 1997

1997312 Harro East Ballroom, 8 November 1997

1997318 WFUV Radio, 14 November 1997

5.0 1 2

1997339 Styleen's Rhythm Palace, 5 December 1997

1997365 Hard Rock Cafe, 31 December 1997

1998052 Lee's Palace, 21 February 1998

1998067 Iron Horse Music Hall, 8 March 1998

1998109 SUNY - Fredonia, 19 April 1998

4

1998122 Amherst College, 2 May 1998

1998123 Mayfair Festival, 3 May 1998

1998156 Valentine's, 5 June 1998

1998205 Harborfest, 24 July 1998

1998206 Styleen's Rhythm Palace, 25 July 1998

1998214 Upper Merion Cup Park, 2 August 1998

1

1998219 Mel Lastman Square, 7 August 1998

1998283 Martyr's, 10 October 1998

1998302 Paradise Rock Club, 29 October 1998

1998303 The Iron Horse, 30 October 1998

1998304 The Iron Horse, 31 October 1998

1998305 Club Metronome, 1 November 1998

1998309 Harro East Ballroom, 5 November 1998

1

1998310 The Tralfamadore Cafe, 6 November 1998

1998311 The Tralfamadore Cafe, 7 November 1998

1998313 The Vault, 9 November 1998

1

1998318 Harvey School, 14 November 1998

1

1999002 The Bottom Line, 2 January 1999

1

1999037 The Trocadero, 6 February 1999

1999050 Lee's Palace, 19 February 1999

1999051 Lee's Palace, 20 February 1999

1999052 Lee's Palace, 21 February 1999

1999120 Rainforest Preserve, 30 April 1999

1999126 Northern Lights, 6 May 1999

1999145 Mix 99.9FM broadcast, 25 May 1999

1999163 Guinness Fleadh Festival, 12 June 1999

1999166 The Ark, 15 June 1999

1999167 The Ark, 16 June 1999

1999192 Celebrate Toronto Festival, 11 July 1999

1999206 Falcon Ridge Folk Festival, 25 July 1999

2

1999206 Falcon Ridge Folk Festival, 25 July 1999

2

1999222 Record Archive, 10 August 1999

1

1999222 Milestones, 10 August 1999

2

1999226 Festival in the Pines, 14 August 1999

1999238 Harbourfront, 26 August 1999

1

1999249 Mix 99.9 Beach Fest, 6 September 1999

1999253 The Odeon, 10 September 1999

1

1999254 Black Swamp Arts Fest, 11 September 1999

2

1999255 Ludlow's, 12 September 1999

1

1999328 Harro East Ballroom, 24 November 1999

1999331 Zaphod Beeblebrox 2, 27 November 1999

1999338 Northern Lights, 4 December 1999

1999342 Trinity St. Paul Centre, 8 December 1999

Playing now

1999365 The Tralf, 31 December 1999

2000001 The Tralf, 1 January 2000

2000048 Lee's Palace, 17 February 2000

2000117 Towne Crier, 26 April 2000

2000119 SUNY - Fredonia, 28 April 2000

2000121 SUNY-Geneseo, 30 April 2000

2000121 SUNY-Geneseo, 30 April 2000

2000142 Six Flags - Darien Lake, 21 May 2000

2000153 Herndon Town Green - Herndon Festival, 1 June 2000

2000154 The Vault, 2 June 2000

2.0 1 1

2000207 The Bottom Line, 25 July 2000

2000208 The Bottom Line, 26 July 2000

1

2000210 Stone Coast Brewery, 28 July 2000

2000243 Milestone's, 30 August 2000

2000244 Milestone's, 31 August 2000

1

2000245 Milestone's, 1 September 2000

2000246 Oberlin College, 2 September 2000

2

2001048 The Opera House, 17 February 2001

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Moxy Fruvous at Trinity St. Paul Centre, 8 December 1999. The archive holds 75 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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