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Ours — Cool Beans, 30 August 2002

2002G

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Part 2002242 of Ours, 31 shows

2001001 2Kool4Radio.com, 1 January 2001

1

2001154 Brazil Coffeehouse, 3 June 2001

1

2001174 XFM radio, 23 June 2001

2001282 Webster Theatre, 9 October 2001

1

2001320 Schuba's, 16 November 2001

3

2001321 Michigan State University, 17 November 2001

2

2001322 Clutch Cargo's, 18 November 2001

1

2001322 Clutch Cargo's, 18 November 2001

1

2001355 Cool Beans, 21 December 2001

2002228 Cool Beans, 16 August 2002

2002235 Maxwell's Pub Set II, 23 August 2002

2002235 Maxwell's Pub Set I, 23 August 2002

2

2002236 TT the Bears, 24 August 2002

2002242 Cool Beans, 30 August 2002

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2002309 Newbury Comics, 5 November 2002

2002325 Electric Fetus, 21 November 2002

2002326 Quest, 22 November 2002

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2002333 Pheonix Theatre, 29 November 2002

1

2002362 The Coffee Club, 28 December 2002

2

2003052 The Vanderbilt, 21 February 2003

1

2003112 Kimo's, 22 April 2003

2003116 The Viper Room, 26 April 2003

2003135 Trees, 15 May 2003

1

2003247 Belcourt Theatre, 4 September 2003

2003354 Bowery Ballroom, 20 December 2003

2

2004016 Quest (Ascot Room), 16 January 2004

6

2004044 Paradise Rock Club, 13 February 2004

2004147 The Knitting Factory, 26 May 2004

1

2004233 Fletcher's, 20 August 2004

3

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Ours at Cool Beans, 30 August 2002. The archive holds 31 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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