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Polyrhythmics — Howlin' Wolf, 4 May 2018

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Part 2018124 of Polyrhythmics, 71 shows

2011336 Nectar's, 2 December 2011

2

2012028 American Legion Hall, 28 January 2012

1

2012028 American Legion Hall, 28 January 2012

2012132 Nectar's, 11 May 2012

2012132 Nectar Lounge, 11 May 2012

2012146 Seattle Center, 25 May 2012

2012146 Seattle Center, 25 May 2012

2013074 Cervantes Other Side, 15 March 2013

2013172 Tractor tavern, 21 June 2013

1

2013193 The Nectar Lounge, 12 July 2013

2013257 Funkfest, 14 September 2013

2013257 Funkfest, 14 September 2013

2015110 The Nectar Lounge, 20 April 2015

2015128 The Nectar Lounge, 8 May 2015

1

2015212 Guitarfish Festival, 31 July 2015

2015213 Northern Rockies Music Festival, 1 August 2015

2016117 Little Gem Saloon, 26 April 2016

2016120 Bayou Rendezvous at Howlin' Wolf, 29 April 2016

2016120 Bayou Rendezvous at Howlin' Wolf, 29 April 2016

2016197 Horning's Hideout, 15 July 2016

2

2017059 Nectar Lounge, 28 February 2017

2017059 Nectar Lounge, 28 February 2017

1

2017074 The Red Room, Crystal Bay Club, 15 March 2017

1

2017075 The Red Room, Crystal Bay Club, 16 March 2017

2017111 Nectar Lounge, 21 April 2017

2017111 Nectar Lounge, 21 April 2017

1

2017182 High Sierra Music Fest - Vaudeville Stage, 1 July 2017

2017183 High Sierra Music Fest - Music Hall, 2 July 2017

2017231 Oregon Eclipse Music Festival Big Top Stage, 19 August 2017

2017314 Volcanic Theater Pub, 10 November 2017

2017342 The Red Room, Crystal Bay Club, 8 December 2017

2017342 The Red Room, Crystal Bay Club, 8 December 2017

2018044 Nectar Lounge, 13 February 2018

2018111 Nectar Lounge, 21 April 2018

2018124 Howlin' Wolf, 4 May 2018

2018124 Howlin' Wolf, 4 May 2018

Playing now

2018167 Main Stage Fremont Solstice Parade and Fair, 16 June 2018

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2018188 Marriott Ballroom, 7 July 2018

2018215 Town Park, 3 August 2018

2018238 Des Moines Beach Park, Funk Abides Festival, 26 August 2018

2018278 Wildcraft Ciderworks, 5 October 2018

2018306 The Hive, 2 November 2018

2018320 Aladdin Theater, 16 November 2018

2018328 The Showbox At Market, 24 November 2018

2018365 The Wild Buffalo, 31 December 2018

2019064 Nectar Lounge, 5 March 2019

2019206 Ophelia's Electric Soapbox, 25 July 2019

2019306 Spanish Ballroom at McMenamins Elks Temple, 2 November 2019

2019325 Wildcraft Ciderworks, 21 November 2019

2021149 The Rosarium, 29 May 2021

2021191 Field of Dreams, Carnation, WA, 10 July 2021

2021212 Pier 62, 31 July 2021

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2021261 Stage 722, 18 September 2021

2021365 Neptune Theater, 31 December 2021

2022293 Hangown Music Festival, 20 October 2022

2022293 Yuba Stage, Hangtown Music Festival, Grass Valley, CA, 20 October 2022

2022306 The Olympic, 2 November 2022

2022365 Aladdin Theater, 31 December 2022

2023133 The Get Down, 13 May 2023

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2023133 The Get Down, 13 May 2023

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2023365 Revolution Hall, 31 December 2023

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2024341 Infinity Music Hall-Hartford, 6 December 2024

2025048 Black & White Lounge MSC Divina, 17 February 2025

2025176 Nottingham Park Avon, Co, 25 June 2025

2025346 Thunderbird Café & Music Hall, 12 December 2025

2025364 The Get Down, 30 December 2025

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2025365 The Get Down, 31 December 2025

1

2026113 Aisle 5, 23 April 2026

2026113 Aisle 5, 23 April 2026

2026121 Broad Theater Lobby, 1 May 2026

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Polyrhythmics at Howlin' Wolf, 4 May 2018. The archive holds 71 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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