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Red Sparowes — El Corazon, 19 March 2007

2007G

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Part 2007078 of Red Sparowes, 25 shows

2005064 The Workman's Circle, 5 March 2005

1

2005077 Emo's Annex, 18 March 2005

1

2005222 Knitting Factory, 10 August 2005

2005223 Bottom of the Hill, 11 August 2005

2005223 Bottom of the Hill, 11 August 2005

4.7 4 6

2005300 The Echo, 27 October 2005

1 1

2006027 Knitting Factory, 27 January 2006

1

2006069 The Underworld, Camden, 10 March 2006

2006080 Chelsea, 21 March 2006

4.7 3 4

2006284 Knitting Factory, 11 October 2006

4.0 1

2006294 Corporation, 21 October 2006

2006297 Nexus, 24 October 2006

5.0 1

2007013 The El Rey Theatre, 13 January 2007

2007047 The Casbah, 16 February 2007

2007054 Amoeba Records, 23 February 2007

2007078 El Corazon, 19 March 2007

Playing now

2007083 Troubadour, 24 March 2007

2

2007137 Szene Wien, 17 May 2007

2

2007140 Molotov, 20 May 2007

2007141 Inkonst, 21 May 2007

1

2007145 Voxhall, 25 May 2007

2010120 Biltmore Cabaret, 30 April 2010

2010270 Hydrozagadka, 27 September 2010

4.0 1 2

2011175 Center for the Arts, Eagle Rock, 24 June 2011

5.0 1 1

20080709 2008-07-09 Live Liverpool Barfly

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Red Sparowes at El Corazon, 19 March 2007. The archive holds 24 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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