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Rhythmic Circus — Camp Kee-Wanee, Wormtown Music Festival, 18 September 2015

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Part 2015261 of Rhythmic Circus, 19 shows

2012119 Tammany Hall, 28 April 2012

2013124 Bushnell Park, 4 May 2013

1

2013188 WPKN Studios, 7 July 2013

2013215 Austrian Donau Club, 3 August 2013

2013256 Camp Kee-Wanee, 13 September 2013

2015142 Camp Kee-Wanee, StrangeCreek Campout, 22 May 2015

1

2015261 Wormtown Music Festival - Camp Kee-Wanee, 18 September 2015

2015261 Camp Kee-Wanee, Wormtown Music Festival, 18 September 2015

2015261 Camp Kee-Wanee, Wormtown Music Festival, 18 September 2015

1

2015261 Camp Kee-Wanee, Wormtown Music Festival, 18 September 2015

Playing now

2016148 Camp Kee-Wanee, StrangeCreek Music Festival, 27 May 2016

2016148 Camp Kee-Wanee, StrangeCreek Campout, 27 May 2016

1

2016148 Camp Kee-Wanee, StrangeCreek Music Festival, 27 May 2016

2016260 Camp Kee-Wanee, Wormtown Music Festival, 16 September 2016

2016260 Camp Kee-Wanee, Wormtown Music Festival, 16 September 2016

2016260 Camp Kee-Wanee, Wormtown Music Festival, 16 September 2016

2017258 Wormtown Music Festival, 15 September 2017

2018146 Camp Kee-Wanee; StrangeCreek Campout, 26 May 2018

2018168 Ziontific, 17 June 2018

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Rhythmic Circus at Camp Kee-Wanee, Wormtown Music Festival, 18 September 2015. The archive holds 19 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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