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Rockspring — Barnaby's Bluegrass Blowout, 22 May 2010

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Part 2010142 of Rockspring, 25 shows

2008082 The Pressroom, 22 March 2008

2008103 Barley Pub, 12 April 2008

2008278 Holy Grail, 4 October 2008

2009017 The Shaskeen, 17 January 2009

2009093 The Shaskeen, 3 April 2009

2009268 The Shaskeen, 25 September 2009

2009325 The Shaskeen, 21 November 2009

2010009 The Barley Pub, 9 January 2010

2010030 Winter Barn Party, 30 January 2010

1 1

2010071 The Shaskeen, 12 March 2010

2010093 The Village Smokehouse, 3 April 2010

2010134 The Shaskeen, 14 May 2010

2010142 Barnaby's Bluegrass Blowout, 22 May 2010

Playing now

2010170 Harry's Hoedown, 19 June 2010

2010171 Harry's Hoedown, 20 June 2010

2010289 The Stone Church, 16 October 2010

2010337 The Shaskeen, 3 December 2010

2011064 Harlow's Pub, 5 March 2011

2011141 The Shaskeen, 21 May 2011

2013076 The Shaskeen, 17 March 2013

1

2013115 The Thirsty Moose, 25 April 2013

1

2013354 The Shaskeen, 20 December 2013

2014236 The Last Safe and Deposit Company, 24 August 2014

2014361 Th Shaskeen, 27 December 2014

1

2017188 Mollys Tavern, 7 July 2017

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Rockspring at Barnaby's Bluegrass Blowout, 22 May 2010. The archive holds 25 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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