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Rush Hour Train — The Whiskey, 11 August 2018

2018G

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Part 2018223 of Rush Hour Train, 37 shows

2016122 Swing Station, 1 May 2016

2016135 Funkwerks, 14 May 2016

2016163 Funkwerks, 11 June 2016

2016219 The Colorado Room, 6 August 2016

2016220 Odell Brewing Company, 7 August 2016

2016252 Avogadro's Number, 8 September 2016

1

2016289 Swing Station, 15 October 2016

2016310 Funkwerks, 5 November 2016

2017026 High Point Bar, 26 January 2017

2017034 Downtown Artery, 3 February 2017

1

2017056 Swing Station, 25 February 2017

2017076 Avogadro's Number, 17 March 2017

2017103 Chipper's Lanes, 13 April 2017

2017146 Equinox Brewing, 26 May 2017

2017167 Scrumpy's Cider Bar, 16 June 2017

2017167 Scrumpy's Hard Cider Bar & Pub, 16 June 2017

2017175 The Colorado Room, 24 June 2017

2017186 Odell Brewing Company, 5 July 2017

1

2017215 Chipper's Lanes, 3 August 2017

2017238 Be On Key's Psychedelic Ripple, 26 August 2017

2017278 Chipper's Lanes, 5 October 2017

2017294 Appaloosa Grill, 21 October 2017

1

2018045 Hodi's Half Note, 14 February 2018

2018104 Equinox Brewing, 14 April 2018

2018223 The Whiskey, 11 August 2018

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From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Rush Hour Train at The Whiskey, 11 August 2018. The archive holds 37 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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