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Sarah Borges and the Broken Singles — The Center for Arts in Natick (TCAN), 23 February 2008

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Part 2008054 of Sarah Borges and the Broken Singles, 35 shows

2007341 The Paradise, 7 December 2007

2008054 The Center for Arts in Natick (TCAN), 23 February 2008

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2009163 The Duck Room, 12 June 2009

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2010014 Beachland Tavern, 14 January 2010

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2010154 Bushnell Park, 3 June 2010

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2011051 Iron Horse Music Hall, 20 February 2011

2012336 Iron Horse Music Hall, 1 December 2012

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2014025 WLVR Studio, 25 January 2014

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2014115 The Parlor Room, 25 April 2014

2014137 The Center for Arts, 17 May 2014

2015016 Sellersville Theater 1894, 16 January 2015

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2015240 The Center for Arts in Natick, 28 August 2015

2015332 Narrows Center for the Arts, 28 November 2015

2016070 Grand Valley Dale Ballroom, 10 March 2016

2016135 The Center for Arts in Natick, 14 May 2016

2016141 The Record Collector, 20 May 2016

2016170 Central Park, 18 June 2016

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2016232 The Mill, 19 August 2016

2016315 Depp House Concert, 10 November 2016

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2017109 Iron Horse Music Hall, 19 April 2017

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2017109 Iron Horse Music Hall, 19 April 2017

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2017116 World Cafe Live, 26 April 2017

2018160 Off Broadway, 9 June 2018

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2022060 Norwegian Pearl, 1 March 2022

2022187 Pig Minds, 6 July 2022

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2022246 Four Corners Folk Festival, 3 September 2022

2023020 Sellersville Theater, 20 January 2023

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2023223 McPike Park, 11 August 2023

2026064 The Parlor Room, 5 March 2026

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Sarah Borges and the Broken Singles at The Center for Arts in Natick (TCAN), 23 February 2008. The archive holds 35 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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