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Sharon Van Etten — KCSN Studio, 27 June 2014

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Part 2014178 of Sharon Van Etten, 50 shows

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2008216 Cake Shop, 3 August 2008

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2008297 Cake Shop, 23 October 2008

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2008343 Piano's, 8 December 2008

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2009311 Union Pool, 7 November 2009

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2011048 Cross-Linx (foyer), 17 February 2011

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2011076 French Legation Museum, 17 March 2011

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2011084 The Satellite, 25 March 2011

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2011084 KCRW Studio, 25 March 2011

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2011106 Music Hall of Williamsburg, 16 April 2011

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2011254 Hollywood Bowl, 11 September 2011

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2

2012041 Johnny Brenda's, Philadelphia, PA, 10 February 2012

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4

2012064 Paradiso, 4 March 2012

2012079 KCRW Studio, 19 March 2012

2

2012080 The Avalon, 20 March 2012

3

2012086 Triple Door, 26 March 2012

2012088 Bluebird Theater, 28 March 2012

2012139 Whelan's, 18 May 2012

1

2012149 Barbican Hall, 28 May 2012

2012210 Newport Folk Festival, 28 July 2012

1

2012217 First Avenue, 4 August 2012

2012217 First Avenue, 4 August 2012

2012281 Junction 2, 7 October 2012

2012338 Shepherds Bush Empire, 3 December 2012

1

2012350 Cameo Gallery, 15 December 2012

5.0 1 4

2014135 World Cafe Live, 15 May 2014

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3

2014178 KCSN Studio, 27 June 2014

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From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Sharon Van Etten at KCSN Studio, 27 June 2014. The archive holds 57 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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