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Smashing Pumpkins — Hammerstein Ballroom, 25 April 2000

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Part 2000116 of Smashing Pumpkins, 1694 shows

2000058 Canopy Club (Soundcheck), 27 February 2000

2000058 Canopy Club, 27 February 2000

2000060 HMV, 29 February 2000

2000060 HMV, 29 February 2000

2000062 Lupo's Heartbreak Hotel, 2 March 2000

3

2000062 Lupo's Heartbreak Hotel, 2 March 2000

1

2000062 Lupo's, 2 March 2000

2000065 Virgin Megastore, 5 March 2000

2000065 Virgin Megastore, 5 March 2000

2000066 KROQ Studios, 6 March 2000

2000067 Columbia City Theater - Seattle, WA (13 thir13en Remaster), 7 March 2000

2000067 KNDD Studios, 7 March 2000

2000067 Columbia City Theatre, 7 March 2000

2000067 Columbia City Theatre, 7 March 2000

2000069 MTV Studios, 9 March 2000

2

2000069 MTV Studios, 9 March 2000

2

2000070 MusiquePlus Studios, 10 March 2000

1

2000070 MusiquePlus Studios, 10 March 2000

2000071 Spectrum, 11 March 2000

2000072 Guvernment, 12 March 2000

1

2000099 Memorial Hall, 8 April 2000

2000099 Memorial Hall, 8 April 2000

2000099 Memorial Hall, 8 April 2000

2000101 American Theater, 10 April 2000

2000103 Northrop Auditorium, 12 April 2000

2000103 Northrop Auditorium, 12 April 2000

2000103 Northrop Auditorium, 12 April 2000

2000104 Eagles Ballroom, 13 April 2000

2000104 Rave Ballroom, 13 April 2000

2000106 Aragon Ballroom, 15 April 2000

2000106 Aragon Ballroom, 15 April 2000

1

2000107 Aragon Ballroom, 16 April 2000

2000107 The Aragon Ballroom, 16 April 2000

2000107 Aragon Ballroom, 16 April 2000

2000107 The Aragon Ballroom, 16 April 2000

9

2000107 Aragon Ballroom - Chicago, IL (13 thir13en Remaster), 16 April 2000

2000109 Elliott Hall of Music, 18 April 2000

2000110 Hill Auditorium, 19 April 2000

2000110 Hill Auditorium, 19 April 2000

1

2000110 Hill Auditorium, 19 April 2000

2000110 Hill Auditorium, 19 April 2000

2000112 Hara Arena, 21 April 2000

2000112 Hara Arena, 21 April 2000

2000113 State Fairgrounds Coliseum, 22 April 2000

2000113 Michigan State Fairgrounds Coliseum, 22 April 2000

2000113 Michigan State Fairgrounds Coliseum, 22 April 2000

2000114 Memorial Athletic and Convocation Center, 23 April 2000

2000116 Hammerstein Ballroom, 25 April 2000

2000116 Hammerstein Ballroom, 25 April 2000

2000116 Hammerstein Ballroom, 25 April 2000

2000116 Hammerstein Ballroom, 25 April 2000

2000116 Hammerstein Ballroom, 25 April 2000

Playing now

2000117 Ed Sullivan Theater, 26 April 2000

2000119 Patriot Center, 28 April 2000

2000119 Patriot Center, 28 April 2000

2000119 Patriot Center, 28 April 2000

1

2000119 Patriot Center, 28 April 2000

2000119 Patriot Center, 28 April 2000

2000120 Paul Tsongas Arena, 29 April 2000

2000120 Paul Tsongas Arena, 29 April 2000

2000122 Electric Factory, 1 May 2000

2000122 Electric Factory, 1 May 2000

2000122 Electric Factory - Philadelphia, PA (13 thir13en Remaster), 1 May 2000

2000123 Greensboro Coliseum Complex, 2 May 2000

2000123 Greensboro Coliseum Complex, 2 May 2000

2000123 Greensboro Coliseum Complex, 2 May 2000

2000124 Township Auditorium, 3 May 2000

2000124 Township Auditorium, 3 May 2000

2000126 Ruth Eckerd Hall, 5 May 2000

2000126 Ruth Eckerd Hall, 5 May 2000

2000127 Sunrise Theater, 6 May 2000

2000127 Sunrise Musical Theater, 6 May 2000

2000127 Sunrise Musical Theater - Sunrise, FL (13 thir13en Remaster), 6 May 2000

2000129 Hard Rock Live, 8 May 2000

2000129 Hard Rock Live, 8 May 2000

2000130 Tabernacle, 9 May 2000

2000131 Boutwell Auditorium, 10 May 2000

2000131 Boutwell Auditorium, 10 May 2000

2000133 Bronco Bowl, 12 May 2000

2000133 Bronco Bowl, 12 May 2000

2000133 Bronco Bowl, 12 May 2000

2000134 Aerial Theater, 13 May 2000

1

2000134 Aerial Theater, 13 May 2000

2000134 Aerial Theater, 13 May 2000

2000134 Aerial Theater, 13 May 2000

2000134 Aerial Theater - Houston, TX (13 thir13en Remaster), 13 May 2000

2000134 Aerial Theater - Houston, TX (13 thir13en Remaster), 13 May 2000

2000135 Austin Music Hall, 14 May 2000

2000135 Music Hall, 14 May 2000

1

2000135 Music Hall (13 thir13en Remaster), 14 May 2000

2000135 Music Hall, 14 May 2000

2000135 Music Hall, 14 May 2000

2000135 Music Hall, 14 May 2000

2000135 Music Hall, 14 May 2000

2000137 Balch Fieldhouse, 16 May 2000

1

2000137 Balch Fieldhouse, 16 May 2000

2000138 Saltair Pavilion, 17 May 2000

1

2000140 Amphitheater, 19 May 2000

2000140 Amphitheatre, 19 May 2000

2000141 Open Air Theater, 20 May 2000

2000141 Open Air Theater, 20 May 2000

2000141 Open Air Theater, 20 May 2000

2000142 Santa Barbara Bowl, 21 May 2000

2000144 Universal Amphitheater, 23 May 2000

2000144 Universal Amphitheater, 23 May 2000

2000144 Universal Amphitheater, 23 May 2000

1

2000144 Universal Amphitheater, 23 May 2000

2000144 Universal Amphitheater, 23 May 2000

2000144 Universal Amphitheater, 23 May 2000

2000144 Universal Amphitheater, 23 May 2000

2000145 Berkeley Community Theatre, 24 May 2000

2000145 Community Theater, 24 May 2000

2000145 Berkeley Community Theatre - Berkeley, CA (13 thir13en Remaster), 24 May 2000

2000147 Bank of America Centre, 26 May 2000

2000150 Paramount Ballroom, 29 May 2000

2000151 Civic Auditorium, 30 May 2000

2000151 Civic Auditorium, 30 May 2000

2000172 Pacifico, 20 June 2000

2000172 Pacifico, 20 June 2000

2000176 Kosei Nenkin Hall, 24 June 2000

2000176 Kosei Nenkin Hall, 24 June 2000

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Smashing Pumpkins at Hammerstein Ballroom, 25 April 2000. The archive holds 1,693 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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