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Strange Machines — Palace Theater, 14 February 2020

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Part 2020045 of Strange Machines, 37 shows

2016043 Brighton Music Hall, 12 February 2016

1

2016072 Toads Place, 12 March 2016

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2016121 The Sinclair, 30 April 2016

2016121 The Sinclair, 30 April 2016

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2016161 Disc Jam, 9 June 2016

2016212 Wild Woods Music & Arts Festival, 30 July 2016

1

2016260 Wormtown Music Festival, 16 September 2016

2016260 Wormtown Music Festival - Camp Kee-Wanee, 16 September 2016

2016323 Penuches, 18 November 2016

2017154 The Stone Church Newmarket NH, 3 June 2017

2017159 Disc Jam, 8 June 2017

2017196 Rock'n'Birch Campground, 15 July 2017

2017210 Tumbledown-Waterfront Park, 29 July 2017

2017280 Jewel Nightclub, 7 October 2017

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2018046 The Camel, 15 February 2018

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2018084 Nectar's, 25 March 2018

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2018173 Strange Days Festival, 22 June 2018

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2018257 Camp Kee-Wanee, Wormtown Music Festival, 14 September 2018

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2018257 Wormtown Music Festival, 14 September 2018

2018341 Jewel Nightclub, 7 December 2018

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2019331 Jewel Nightclub, 27 November 2019

2019347 Buffalo Iron Works, 13 December 2019

2019361 Stone Church, 27 December 2019

2020045 Palace Theater, 14 February 2020

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From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Strange Machines at Palace Theater, 14 February 2020. The archive holds 40 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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