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Suicaudio — River Street Jazz Cafe, 30 October 2013

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Part 2013303 of Suicaudio, 25 shows

2009255 River Street Jazz Cafe, 12 September 2009

2009262 River Street Jazz Cafe, 19 September 2009

2009303 River Street Jazz Cafe, 30 October 2009

2010035 River Street Jazz Cafe, 4 February 2010

2010106 River Street Jazz Cafe, 16 April 2010

1

2010114 Wildflower Cafe, 24 April 2010

2010126 River Street Jazz Cafe, 6 May 2010

2010146 River Street Jazz Cafe, 26 May 2010

2010154 River Street Jazz Cafe, 3 June 2010

2010240 River Street Jazz Cafe, 28 August 2010

1

2010258 River Street Jazz Cafe, 15 September 2010

1

2010302 Thunderbird Cafe, 29 October 2010

1

2010302 Thunderbird Cafe, 29 October 2010

5.0 1

2011085 terras cafe, 26 March 2011

2011119 Slate Bar, 29 April 2011

2011135 River Street Jazz Cafe, 15 May 2011

1

2011135 River Street Jazz Cafe, 15 May 2011

2011243 River Street Jazz Cafe, 31 August 2011

1

2011247 River Street Jazz Cafe, 4 September 2011

2011303 The Crimson Lion, 30 October 2011

2012103 Crimson Lion, 12 April 2012

2012250 Crimson Lion, 6 September 2012

2013303 River Street Jazz Cafe, 30 October 2013

Playing now

2016051 River Street Jazz Cafe, 20 February 2016

2016309 River Street Jazz Cafe, 4 November 2016

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Suicaudio at River Street Jazz Cafe, 30 October 2013. The archive holds 25 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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