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The Electric Mudd — The Bottling Co., 1 December 2006

2006G

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Part 2006335 of The Electric Mudd, 31 shows

2005168 Martins, 17 June 2005

2005187 Nick's Ice House, 6 July 2005

2

2005189 Mugshots, 8 July 2005

2005204 Barcode, 23 July 2005

2005217 Manda's, 5 August 2005

2005218 The Joint, 6 August 2005

2005224 All The Marbles, 12 August 2005

2005252 The Loft, 9 September 2005

2005252 The Loft, 9 September 2005

2005273 The Shedhouse, 30 September 2005

2005288 Martin's, 15 October 2005

2005357 Mugshot's, 23 December 2005

2006041 The Shedhouse, 10 February 2006

2006049 Martin's, 18 February 2006

2006063 Joe's Place, 4 March 2006

2006063 Joe's Place, 4 March 2006

2006070 The Shed, 11 March 2006

2006082 The Shedhouse, 23 March 2006

2006082 The Shedhouse, 23 March 2006

2006082 The Shedhouse, 23 March 2006

2006090 Mugshots, 31 March 2006

2006091 Nick's Ice House, 1 April 2006

2006335 The Bottling Co., 1 December 2006

Playing now

2007033 The Shedhouse, 2 February 2007

2007034 The Shedhouse, 3 February 2007

2007230 Bennie's Boom Boom Room, 18 August 2007

2008131 Martin's, 10 May 2008

2008165 Jubilee Jam, 13 June 2008

2

2009023 State Theatre, 23 January 2009

2009057 State Theatre, 26 February 2009

2009276 The Fall Ball, 3 October 2009

2

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. The Electric Mudd at The Bottling Co., 1 December 2006. The archive holds 31 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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