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The Fuzz — Impact 89fm, 16 January 2003

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Part 2003016 of The Fuzz, 78 shows

2001004 Mac's Bar, 4 January 2001

2001019 Churchills, 19 January 2001

2002159 Curwood Festival, 8 June 2002

2002165 Benchwarmers, 14 June 2002

1

2002166 Benchwarmers, 15 June 2002

2002177 The Temple Club, 26 June 2002

2002198 The Temple Club, 17 July 2002

2002265 Mead's Basement, 22 September 2002

2002298 Common Grounds Coffee House, 25 October 2002

2002305 The Temple Club, 1 November 2002

2002312 Elbow Room, 8 November 2002

2002313 Churchills, 9 November 2002

2002327 Skelletones, 23 November 2002

2002343 Berkely Front, 9 December 2002

2003015 Impact 89fm, 15 January 2003

2003016 Impact 89fm, 16 January 2003

Playing now

2003018 Mac's Bar, 18 January 2003

2003025 Churchills, 25 January 2003

2003031 Lansing Underground, 31 January 2003

2003039 Skelletones Cafe, 8 February 2003

2003060 Rubble's, 1 March 2003

2003066 The Temple Club, 7 March 2003

2003074 Churchills, 15 March 2003

2003082 Mead's Basement, 23 March 2003

2003086 Mac's Bar, 27 March 2003

1

2003117 The Temple Club, 27 April 2003

2003164 The Temple Club, 13 June 2003

2003171 Diesel Lounge, 20 June 2003

2003178 Mug's Hideout, 27 June 2003

2003179 Third Street Saloon, 28 June 2003

2003191 Heidelberg, 10 July 2003

2003192 Mac's Bar, 11 July 2003

2003199 General Lafayette Inn, 18 July 2003

2003212 Skelletones Cafe, 31 July 2003

2003219 Impulse II, 7 August 2003

2003226 The Temple Club, 14 August 2003

2003248 NEMO Music Conference, 5 September 2003

2003255 The Temple Club, 12 September 2003

2003290 The Temple Club, 17 October 2003

2003297 The Temple Club, 24 October 2003

2003310 Heidelberg, 6 November 2003

2003312 Mac's Bar, 8 November 2003

2003318 Rube's, 14 November 2003

2003347 Wise Fools Pub, 13 December 2003

2004030 Local 432, 30 January 2004

2004039 The Club Soda, 8 February 2004

2004042 Impact 89fm, 11 February 2004

2004044 The Temple Club, 13 February 2004

2004059 Founders Brewing Company, 28 February 2004

1

2004071 Mac's Bar, 11 March 2004

2

2004087 Shaboom's Pub Club, 27 March 2004

2004091 Ten Bells, 31 March 2004

2004093 Halfway-Inn (Halfass), 2 April 2004

2004106 Radio Tavern, 15 April 2004

2004109 Earth Day Festival, 18 April 2004

2004111 Rendevous on the Grand, 20 April 2004

2004123 Mead's Basement, 2 May 2004

2004128 Red Light Lounge, 7 May 2004

2004135 Radio Tavern, 14 May 2004

2004156 Martyr's, 4 June 2004

2004156 Matyr's, 4 June 2004

2004170 The Temple Club, 18 June 2004

2004171 Ionia Stree Artist Market, 19 June 2004

2004199 The Veale's, 17 July 2004

5.0 1

2004204 Mac's, 22 July 2004

2004232 Rendezvous on the Grand, 19 August 2004

2004236 Mac's Bar, 23 August 2004

2004255 Ionia Street Artist Market, 11 September 2004

2004269 Red Light Lounge (The Temple Club), 25 September 2004

2004324 The Red Light Lounge, 19 November 2004

2005042 Oade's Hidden Camel, 11 February 2005

2005056 Union Street Station, 25 February 2005

2005057 Union Street Station, 26 February 2005

2005083 The Temple Club, 24 March 2005

2005094 Mac's Bar, 4 April 2005

2005111 Jacoby's, 21 April 2005

2005211 Mac's Bar, 30 July 2005

1

2005287 Temple Club, 14 October 2005

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. The Fuzz at Impact 89fm, 16 January 2003. The archive holds 79 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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