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The Red Lights — Candlelight Cabaret, 18 September 2009

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Part 2009261 of The Red Lights, 29 shows

2009059 Patty Quinns, 28 February 2009

2009080 The Purple Frog, 21 March 2009

2009129 Traditions, 9 May 2009

2009141 The Crazy Donkey, 21 May 2009

2009143 Unknown, 23 May 2009

1

2009149 The Loft, 29 May 2009

1

2009150 Joey D's, 30 May 2009

2009170 The Tank Theatre, 19 June 2009

1

2009178 Traditions Pub, 27 June 2009

2009198 The Blue Parrot, 17 July 2009

2009213 The Loft, 1 August 2009

2009219 Lefty's, 7 August 2009

2009240 The Blue Parrot, 28 August 2009

2009255 Patty Quinns, 12 September 2009

2009261 Candlelight Cabaret, 18 September 2009

Playing now

2009269 Traditions, 26 September 2009

1

2009289 The Crazy Donkey, 16 October 2009

2009325 The Vibe Lounge, 21 November 2009

2010009 Patty Quinns, 9 January 2010

2010016 Pices, 16 January 2010

1

2010044 Pattys, 13 February 2010

2010086 The Purple Frog, 27 March 2010

2010100 Patty Quinns, 10 April 2010

2010107 Buckleys, 17 April 2010

1

2010107 CD Island (record store day), 17 April 2010

2010148 The Boogie Music Festival, 28 May 2010

2011050 Patty Quinns, 19 February 2011

2011106 Patty Quinns, 16 April 2011

1

2011106 CD Island, 16 April 2011

1

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. The Red Lights at Candlelight Cabaret, 18 September 2009. The archive holds 29 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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