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The Sneaky Bastards — Cactus Jack's Saloon, 7 August 2010

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Part 2010219 of The Sneaky Bastards, 25 shows

2010170 The Open Tap, 19 June 2010

2010211 Quixote's True Blue, 30 July 2010

2010211 Quixote's - Patio Stage, 30 July 2010

1

2010219 Cactus Jack's Saloon, 7 August 2010

2010219 Cactus Jack's Saloon, 7 August 2010

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2011022 Old Town Pub, Steamboat Springs, CO, 22 January 2011

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2011078 The Goat Tavern, 19 March 2011

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2011089 Oriental Theater, 30 March 2011

2011089 Oriental Theater, 30 March 2011

2011090 Cervantes' Other Side, 31 March 2011

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2011190 Doug Miles' 40th Birthday, 9 July 2011

2011217 Highland Pacific, 5 August 2011

2011238 Old Town Pub, Steamboat Springs, CO, 26 August 2011

2011240 Quixote's True Blue - Patio Stage, 28 August 2011

2012027 The Pub, 27 January 2012

2012055 Old Town Pub, 24 February 2012

2012056 Old Town Pub, 25 February 2012

2012232 Winter Park Pub, 19 August 2012

2012336 Zio Romolo's Alley Bar, 1 December 2012

2013067 The Old Town Pub, 8 March 2013

2013068 The Old Town Pub, 9 March 2013

2013110 Highland Pacific, 20 April 2013

2013313 Park House, 9 November 2013

2013340 The Old Town Pub, 6 December 2013

2014045 The Old Town Pub, 14 February 2014

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. The Sneaky Bastards at Cactus Jack's Saloon, 7 August 2010. The archive holds 25 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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