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Tishamingo — Barstools ,, 21 February 2002

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Part 2002052 of Tishamingo, 70 shows

2002052 Barstools ,, 21 February 2002

Playing now

2002102 Barstools, 12 April 2002

2002326 Pour House, 22 November 2002

2002326 Pour House, 22 November 2002

2003051 Cumberland's, 20 February 2003

2003249 The Brandy House, 6 September 2003

2

2004009 Mermaid Lounge, 9 January 2004

4

2004024 Outback Lodge, 24 January 2004

2

2004029 Georgia Theatre, 29 January 2004

2004065 Visulite Theatre, 5 March 2004

2

2004109 Three Rivers Music Festival, 18 April 2004

2004135 Mountain View Jam, 14 May 2004

1

2004170 Wakarusa - Sun Down Stage, 18 June 2004

2

2004198 Exit/In, 16 July 2004

2004204 Visulite Theater, 22 July 2004

2004213 Kefi's, 31 July 2004

1

2004312 Bert's Bar Sullivan's Island, 7 November 2004

2004331 B&A Warehouse, 26 November 2004

2005105 Rubber Soul, 15 April 2005

2

2005215 The Funkbox, 3 August 2005

2005218 The Stone Bear @ Tyrone Farm, 6 August 2005

2

2005246 The Pour House Music Hall, 3 September 2005

1

2005246 The Pour House Music Hall, 3 September 2005

2005315 Down on the Farm Festival II - Gulf 104 Stage, 11 November 2005

2006012 Freebird Live, 12 January 2006

1

2006091 The Pour House Music Hall, 1 April 2006

2006091 The Pour House Music Hall, 1 April 2006

2006091 The Pour House Music Hall, 1 April 2006

2006132 Loco's, 12 May 2006

2006152 The Blind Tiger, 1 June 2006

2006308 The Pour House Music Hall, 4 November 2006

2006308 The Pour House Music Hall, 4 November 2006

2006315 Down on the Farm Festival III, 11 November 2006

1

2006316 Down on the Farm Festival III (Early Show), 12 November 2006

1

2006316 Down on the Farm Festival III, 12 November 2006

2007034 The Pour House, 3 February 2007

2007047 The Pour House, 16 February 2007

2007065 Gothic Theatre, 6 March 2007

2007065 Gothic Theatre, 6 March 2007

2007067 Sheridan Opera House, 8 March 2007

2007076 Sea Walk Pavillion, 17 March 2007

2007076 Sea Walk Pavillion, 17 March 2007

2007096 The Windjammer, 6 April 2007

2007335 Luedecke's Bar & Grill (Cafe 30A), 1 December 2007

2007341 The Pour House, 7 December 2007

2008321 Bear Creek -- Spirit of the Suwanee, 16 November 2008

2008321 Spirit of the Suwannee Music Park, 16 November 2008

2008321 Bear Creek -- Spirit of the Suwanee, 16 November 2008

2008326 Neighborhood Theatre, 21 November 2008

2008326 Neighborhood Theater, 21 November 2008

2008327 The Pour House, 22 November 2008

2008327 The Pour House, 22 November 2008

2008331 Smith's Olde Bar, 26 November 2008

2008333 Potbelly's, 28 November 2008

2009176 The Pour House, 25 June 2009

2009176 The Pour House, 25 June 2009

2009176 The Pour House, 25 June 2009

2009177 Potbelly's, 26 June 2009

1

2010149 The Pour House, 29 May 2010

2010150 The Pour House, 30 May 2010

2013143 NoWhere Bar, 23 May 2013

2015038 The Neighborhood Theatre, 7 February 2015

2015038 Neighborhood Theater, 7 February 2015

2019346 Vista Room At Napoleon's, 12 December 2019

2019346 Vista Room at Napoleon's, 12 December 2019

1

2019346 Vista Room at Napoleon's, 12 December 2019

1

2023090 The Refinery, 31 March 2023

2024340 Smith's Olde Bar, 5 December 2024

2025312 Holy Smokes BBQ Festival, 8 November 2025

2025312 Riverfront Park - Holy Smokes BBQ Fest, 8 November 2025

Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Tishamingo at Barstools ,, 21 February 2002. The archive holds 70 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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