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William Elliott Whitmore — Mountain Top Festival, 18 March 2017

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Part 2017077 of William Elliott Whitmore, 31 shows

2006110 Beat Kitchen, 20 April 2006

6

2006244 The Picador, 1 September 2006

2006287 Amoeba Records, Los Angeles, CA, 14 October 2006

1

2007030 Le Trabendo, 30 January 2007

2007052 Funk 'n Waffles, 21 February 2007

2007075 The Triple Rock Social Club, 16 March 2007

1

2007078 El Corazon, 19 March 2007

2007083 Troubadour, 24 March 2007

2007157 Schlafly's Tap Room, 6 June 2007

2008270 The Picador, 26 September 2008

2008310 The Brewery, 5 November 2008

2009074 The Magic Stick, 15 March 2009

2

2009308 7th Street Entry, 4 November 2009

1

2010205 The Ped Mall, 24 July 2010

2010365 Blue Moose Taphouse, 31 December 2010

5.0 2

2010365 Blue Moose Taphouse, 31 December 2010

2012090 Blue Moose Tap House, 30 March 2012

1

2012114 Cat's Cradle, 23 April 2012

1 1

2012117 Orange Peel, 26 April 2012

1

2012196 Camp Euforia, 14 July 2012

2014144 Pedaler's Jamboree bicycle music festival, 24 May 2014

1

2014269 DG's Taphouse, 26 September 2014

2015108 Vinyl Renaissance & Audio of Columbia, 18 April 2015

2017077 Mountain Top Festival, 18 March 2017

Playing now

2019194 Hook and Ladder's Roots, Rock and Deep Blues Festival, 13 July 2019

2019243 Rose Park, Columbia, MO, 31 August 2019

1

2021178 Big Grove Brewery, 27 June 2021

5.0 1 1

2021337 The Loving Touch, 3 December 2021

2

2022175 Whispering Pines Campground, 24 June 2022

2022175 Blue Ox Festival, 24 June 2022

2024195 Nordic Brewpub, 13 July 2024

2

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. William Elliott Whitmore at Mountain Top Festival, 18 March 2017. The archive holds 31 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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