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King Porter Stomp

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Part 25 of 78rpm popular music, 1920s–1930s, 2428 episodes

24 A Year From Today — L. Levin

24 Aren't We All

24 Bagpipe Stomp

24 Bit

24 Buffoon

24 Call Of Love — Joe Sudy

24 Can't Stop Caring For You

24 Casey Jones

24 Casey and Cohen In the Army (Part 2)

24 Do The New York vDick Robertson

24 Everybody Two-Step

24 He Went In Like A Lion And Came Out Like A Lamb

24 I Was Lucky

24 I Wonder Who Wished Her on Me

24 Junk-Man's Serenade

24 Just As Washington Crossed The Delaware

24 Lambeth Walk — Paula Kelly

24 Leave It That Way — Dick Robertson

24 Mr. Hoover & Mr. Smith

24 My Castle In Spain Is A Shack In The Lane

24 Myrtle

24 On A Sunday Afternoon — Kay Weber

24 St. Louis Blues

24 Running Between The Rain-Drops

24 Sandman — Kay Weber

24 Siam

24 Singing A Vagabond Song

24 Sullivan from The American Idea

24 Sunday

24 Sweet Baby

24 Sweet Little You

24 The Peanut Vendor

24 The Scat Song

24 The Woman In The Shoe

24 There Goes My Attraction

24 There's Oceans Of Love

24 Tonight Is Mine — Joe Sudy

24 Tonight's My Night With Baby

24 Wait Till You Get Them Up in the Air, Boys

24 You Can Have It - Pno.-Clarence Williams

24 You're Going To Get Something What You Don't Expect

24 Yours And Mine — Eddy Thomas

24 Yours Sincerely — Ran Weeks

24 What Have We Got To Lose (Hi-Ho-Lack-A-Day)

24 A Bow To The Borough Of The Bronx

24 A Lemon in the Garden of Love

24 Copenhagen

24 Cover Me Up With The Sunshine Of Virginia

24 Cuban Love Song

24 Darling Not Without You — Barry McKinley

24 Dinah Tells A Joke (You Will Believe A Dog Can Talk)

24 Molly Lee

24 I'm In Love Again

24 I'm In The Market For you

24 I'm Just Wild About Harry — Adelaide Moffett

24 In Harlem's Araby

24 It Goes Like This

24 Let Me Take You Home Tonight

24 Loveless Love

24 Mad Dogs And Englishmen

24 Mama Ines

24 Over There — American Quartet

24 Ragging The Scale

24 Red Lips Kiss My Blues Away — Don Howard & Harry Maxfield

24 Riverboat Shuffle

24 Subway

24 Sweet Sue - Just You

24 Sweetheart Darlin'

25 At The Baby Parade

25 A New York Symphony

25 Among My Souvenirs

25 Dixie Land, I Love You

25 Doing the Derby

25 For My Baby - Harry Mayfield-Don Howard

25 Grizzly Bear

25 He Went In Like A Lion And Came Out Like A Lamb

25 Hello Blluebird

25 High Hat

25 I'd Like To Dunk You In My Coffee — Bob Crosby

25 I'm Craving For That Kind Of Love

25 I've Got My Mind On You

25 Lazy River

25 Limehouse Blues

25 Look Who's Here

25 Love In My Heart

25 Peg O' My Heart

25 Poor Butterfly

25 Riverboat Shuffle

25 Say “Si-Si”

25 Take Plenty of Shoes (It's a Long Roam Back Home) from Marie Cahill's Betty and the Boys

25 Stormy Weather (Nazi version)

25 Swanee's Calling Me

25 Sweet Georgia Brown

25 Swingy Little Thingy

25 The Book Was So Much Better Than The Picture (Capitol)

25 Arrah Wanna

25 At The Darktown Strutters' Ball — Donald King

25 Baby Mine

25 Cinnamon Sinner (From “The Girl Can't Help It”)

25 Collette — Harry Maxfield

25 I've Got Something In My Eye

25 If I Had A Talking Picture Of You

25 If You Should Ever Need Me

25 It Must Be True - V. Trio-Bill Seckler-Paul Gibbons-Ringwald

25 Morning, Noon And Night

25 My Own Liberty Bell

25 Now Or Never — Barry McKinley

25 Oh! How I Love My Darling

25 Sing (It's Good For You)

25 Sing A Little Low-Down Tune

25 Singing In The Rain

25 So Sure Of You

25 Stop Beatin' Round The Mulberry Bush — Paula Kelly

25 The Breeze — Joe Sudy

25 The Whistling Coon

25 The Whole Darned Thing For You

25 There's Danger In Your Eyes Cherie

25 You Are My Lucky Star — Bob Eberle

25 You'd Be Surprised

25 Yours Sincerely — Ran Weeks

25 King Porter Stomp

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Read from the recording's own description, by a program — so it is a reading rather than a record.

Description

A side transferred from a 78rpm disc, from a large collection of American popular music of the 1920s and 1930s. The 78 was the only commercial record format of the period: shellac, about three minutes a side, and played with a steel needle that wore the groove a little every time. What survives of the popular music of those two decades survives mostly because somebody kept the discs and somebody else transferred them. The song is "King Porter Stomp". Track 25. The recording date, the label and the matrix number are not in the file name; they would be on the disc itself.

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