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Robyn Hitchcock — The Bottom Line, 31 October 2003

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Part 2003304 of Robyn Hitchcock, 988 shows

2000050 Largo, 19 February 2000

4.0 1 3

2000168 The Bottom Line, 16 June 2000

1

2000169 Coolidge Corner Moviehouse, 17 June 2000

4.0 1 1

2000172 The Troubadour, 20 June 2000

2000172 MJI, 20 June 2000

2000173 Great American Music Hall, 21 June 2000

2000174 Sweetwater Cafe, 22 June 2000

2000174 Sweetwater Cafe, 22 June 2000

2000175 Aladdin Theater, 23 June 2000

2000176 Crocodile Café, 24 June 2000

1

2000177 Memorial Stadium, 25 June 2000

2000218 Lea Valley Riverboat, 5 August 2000

2000239 The Attic, 26 August 2000

2000240 The Dynamic Earth, 27 August 2000

2000289 IOTA Club, 15 October 2000

2000290 IOTA Club, 16 October 2000

5.0 1

2000292 Maxwell's, 18 October 2000

2000292 Maxwell's, 18 October 2000

2000293 Joe's Pub, 19 October 2000

2000293 Joe's Pub, 19 October 2000

2000322 The Point, 17 November 2000

2000323 The Underworld, 18 November 2000

2000327 The CLUNY, 22 November 2000

5.0 1

2001078 Fletcher's, 19 March 2001

2001079 Theatre Of The Living Arts, 20 March 2001

1

2001080 9:30 Club, 21 March 2001

2001087 The Horseshoe Tavern, 28 March 2001

2001088 St. Andrew's Hall, 29 March 2001

2001090 First Avenue, 31 March 2001

2001093 Richard's on Richards, 3 April 2001

2001095 Pine Street Theatre, 5 April 2001

2001215 The Assembly Rooms, 3 August 2001

2001215 Assembly Rooms Edinburgh, Scotland (Edinburgh Festival), 3 August 2001

2001216 The Assembly Rooms, 4 August 2001

2001217 The Assembly Rooms, 5 August 2001

2001234 Dancebase, 22 August 2001

1

2001234 Dancebase, 22 August 2001

2002025 Highbury Garage, 25 January 2002

1

2002025 Highbury Garage, 25 January 2002

2002025 Highbury Garage, 25 January 2002

2002097 Criminal Records, 7 April 2002

2002098 Smith's Olde Bar, 8 April 2002

2002106 Park West, 16 April 2002

8

2002111 Crocodile Cafe, 21 April 2002

2002116 KCRW, 26 April 2002

2002201 Astoria, 20 July 2002

2002291 Andy Kershaw Session, 18 October 2002

2003061 Queen Elizabeth Hall, 2 March 2003

2003110 The Three Kings, 20 April 2003

2003199 The Three Kings Pub, 18 July 2003

2003301 Fletcher's, 28 October 2003

3

2003304 The Bottom Line, 31 October 2003

5.0 1 4

2003304 The Bottom Line, 31 October 2003

Playing now

2003318 Easy Street Records, 14 November 2003

2003319 Crocodile Cafe, 15 November 2003

1

2003321 Great American Music Hall, 17 November 2003

6

2003329 Largo, 25 November 2003

4.0 1 1

2004009 Maxwell's, 9 January 2004

4.0 1 5

2004009 Maxwells, 9 January 2004

3

2004220 The Three Kings, 7 August 2004

2004248 McCaw Hall, 4 September 2004

2004249 Two Bells Tavern, 5 September 2004

2004283 Purcell Room, 9 October 2004

2004303 Waterloo Records, 29 October 2004

2004304 Cactus Café, 30 October 2004

2004305 Smith's Olde Bar, 31 October 2004

2004305 Criminal Records, 31 October 2004

2004306 Cat's Cradle, 1 November 2004

1

2004307 Borders Books, 2 November 2004

4.0 3 8

2004308 Borders Books, 3 November 2004

2004310 Shank Hall, 5 November 2004

2004311 Schubas Tavern, 6 November 2004

9

2004311 Schuba's, 6 November 2004

2004313 Beachland Ballroom, 8 November 2004

2004319 Maxwell's, 14 November 2004

5.0 2 20

2004320 World Cafe Live, 15 November 2004

2004337 Fleece and Firkin, Bristol, UK, 2 December 2004

1

2005049 The Three Kings, 18 February 2005

2005062 Great American Music Hall, 3 March 2005

5.0 1 3

2005063 Easy Street Records, 4 March 2005

2005064 Crocodile Cafe, 5 March 2005

2005067 Largo, 8 March 2005

2005081 Ram's Head Onstage, 22 March 2005

5.0 2 4

2005081 Rams Head Onstage, 22 March 2005

1

2005085 Maxwell's, 26 March 2005

3

2005087 The Iron Horse, 28 March 2005

4.0 1 4

2005090 Schubas Tavern, 31 March 2005

14

2005090 Schubas Tavern, 31 March 2005

2005091 Schubas Tavern, 1 April 2005

8

2005092 Hideout, 2 April 2005

14

2005093 Duncan Hall, 3 April 2005

1

2005093 Duncan Hill, 3 April 2005

13

2005095 Lion's Lair, 5 April 2005

2005279 NHK 505 Studio, 6 October 2005

5.0 3 10

2005326 Shepherd's Bush Empire, 22 November 2005

2006023 Komedia, Brighton, 23 January 2006

2006025 The Scala, 25 January 2006

2006027 Phoenix - Exeter - UK, 27 January 2006

2006056 Key Club, Los Angeles, CA, 25 February 2006

2006058 Slim's, 27 February 2006

2

2006058 Slim's, 27 February 2006

3

2006061 Sam Bond's Garage, 2 March 2006

4.0 1

2006062 Doug Fir Lounge, 3 March 2006

4.0 2 3

2006063 The Crocodile Cafe, 4 March 2006

4.0 1 2

2006102 WFMU, 12 April 2006

1

2006279 Fab Club, 6 October 2006

2006280 Fab Club - Tokyo - Japan, 7 October 2006

2006281 Fab Club, 8 October 2006

2006282 Daikanyama - Tokyo Japan, 9 October 2006

2006283 Tokyo Bay Boat Party, 10 October 2006

2006287 The Gov, 14 October 2006

4.0 1 4

2006292 Clarendon Hotel, 19 October 2006

2006300 Key Club, 27 October 2006

2006316 The Beachland Ballroom, 12 November 2006

3

2006322 Maxwell's, 18 November 2006

3

2006323 Maxwell's, 19 November 2006

2

2006324 The Ottobar, 20 November 2006

3.0 1 4

2006326 Y-Rock On XPN, 22 November 2006

2

2006329 The Crocodile Cafe, 25 November 2006

4.7 3 4

2006350 The Three Kings, 16 December 2006

2006351 3 Kings Pub, 17 December 2006

5.0 2 5

From the performer and the date. Each recording here is one performance, gathered under whoever gave it and ordered by when it was given — so there is no part number, and the position is the date.

Description

A live concert recording from the Internet Archive's Live Music Archive, which holds only bands that have given permission to be recorded and traded. That permission is the whole basis of the collection. The Grateful Dead formally set aside a taper section behind the soundboard in 1984, legitimising what their audience was already doing, and the bands that inherited that audience inherited the policy with it — so these recordings exist because the artists wanted them to, not in spite of them. Robyn Hitchcock at The Bottom Line, 31 October 2003. The archive holds 1,003 recordings of this band. The setlist, the taper and the recording chain are not in the file name, and for this kind of recording they are what listeners most want to know.

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