RLB-Tube

129,361 pages read across the site in the last 24 hours · 90 pages a minute on average · 28 countries in the last 30 days

Sign in to watch

Free, with Google. The research on this page is open to everyone and always will be; signing in is what lets us serve the file.

Listen Data saver Sharp

Bawarchi (1972)

by Hrishikesh Mukherjee 1972G General

— (0)

Directed by: Hrishikesh Mukherjee
Produced by: Hrishikesh Mukherjee, N. C. Sippy, Romu N. Sippy
Written by: Hrishikesh Mukherjee, Gulzar, Tapan Sinha
Music by: Madan Mohan
Lyrics by: Kaifi Azmi
Singers: Harindranath Chattopadhyay, Kishore Kumar, Kumari Faiyyaz, Lakshmi Shankar, Lata Mangeshkar, Manna Dey, Nirmala Devi
Cinematography: Jaywant Pathare
Edited by: Das Dhaimade
Cast: Jaya Bachchan, Rajesh Khanna, Govardhan Asrani

Description

A household where everyone quarrels with everyone takes on a cook, and within weeks he has quietly mended all of them. Rajesh Khanna leads. Adapted from Tapan Sinha's Bengali film Galpo Holeo Satyi. The Internet Archive copy was uploaded with its format details disguised, so playback is withheld here; the entry stays listed and the Archive's own page remains reachable.

Details

loading…

Read about it: Wikipedia
In the film archive: indiancine.ma

Transcript

Open to load the transcript.

Add a review

Sign in to comment.

Related

The same people, elsewhere

Same director and script writer: Aashirwad (1968)
Hrishikesh Mukherjee directed, produced and wrote the screenplay of both; Gulzar wrote the dialogue of them; Ajit Banerjee designed them.
Same director and script writer: Abhimaan (1973)
Hrishikesh Mukherjee directed and wrote both; Jaywant Pathare photographed them; Das Dhaimade cut them.
Same director and script writer: Alaap (1977)
Hrishikesh Mukherjee directed, produced and wrote both; Jaywant Pathare photographed them.
Same director and script writer: Anand (1971)
Hrishikesh Mukherjee directed, produced and wrote the screenplay of both; Gulzar wrote the dialogue of them; Jaywant Pathare photographed them.
Same director and photographer: Anari (1959)
Hrishikesh Mukherjee directed both; Jaywant Pathare photographed them - 13 years apart.
Same director and script writer: Anupama (1966)
Hrishikesh Mukherjee directed and wrote both; Kaifi Azmi wrote the lyrics of them; Jaywant Pathare photographed them.
Same lyricist: Arth (1982)
Kaifi Azmi wrote the lyrics of both - 10 years apart.
Same director and photographer: Buddha Mil Gaya (1971)
Hrishikesh Mukherjee directed both; Jaywant Pathare photographed them; Das Dhaimade cut them.
Same director and script writer: Chupke Chupke (1975)
Hrishikesh Mukherjee directed and produced both; Gulzar wrote them; Jaywant Pathare photographed them.
Same script writer: Gharaonda (1977)
Gulzar wrote both.
Same director and photographer: Gol Maal (1979)
Hrishikesh Mukherjee directed and produced both; Jaywant Pathare photographed them.
Same director and script writer: Guddi (1971)
Hrishikesh Mukherjee directed, produced and wrote the screenplay of both; Gulzar wrote the dialogue of them; Jaywant Pathare photographed them.
Same music director: Hanste Zakhm (1973)
Madan Mohan wrote the music of both.
Same music director and lyricist: Haqeeqat (1964)
Madan Mohan wrote the music of both; Kaifi Azmi wrote the lyrics of them.
Same music director and lyricist: Heer Raanjha (1970)
Madan Mohan wrote the music of both; Kaifi Azmi wrote the lyrics of them.
Same director and script writer: Khubsoorat (1980)
Hrishikesh Mukherjee directed and produced both; Gulzar wrote the dialogue of them; Jaywant Pathare photographed them.
Same director: Majhli Didi (1967)
Hrishikesh Mukherjee directed both.
Same director and photographer: Mili (1975)
Hrishikesh Mukherjee directed and produced both; Jaywant Pathare photographed them; Ajit Banerjee designed them.
Same director and script writer: Musafir (1957)
Hrishikesh Mukherjee directed, produced and wrote the screenplay of both; Das Dhaimade cut them - 15 years apart.
Same director and script writer: Namak Haraam (1973)
Hrishikesh Mukherjee directed and wrote both; Gulzar wrote the dialogue of them; Jaywant Pathare photographed them.
Same director and photographer: Naram Garam (1981)
Hrishikesh Mukherjee directed both.
Same director and actor: Naukri (1978)
Hrishikesh Mukherjee directed both.
Same music director: Parwana (1971)
Madan Mohan wrote the music of both.