Same director and script writer:
Aashirwad (1968)Hrishikesh Mukherjee directed, cut, produced and wrote the screenplay and the story of both; Gulzar wrote the lyrics and the dialogue of them; Ajit Banerjee designed them.
Same director and script writer:
Abhimaan (1973)Hrishikesh Mukherjee directed and wrote the story of both; Jaywant Pathare photographed them; Ajit Banerjee designed them.
Same director:
Achha Bura (1983)Hrishikesh Mukherjee directed both - 12 years apart.
Same director and script writer:
Alaap (1977)Hrishikesh Mukherjee directed, produced and wrote both; Jaywant Pathare photographed them.
Same director and photographer:
Anari (1959)Hrishikesh Mukherjee directed and cut both; Jaywant Pathare photographed them - 12 years apart.
Same director and script writer:
Anupama (1966)Hrishikesh Mukherjee directed and wrote the story of both; D.N. Mukherjee wrote the screenplay of them; Jaywant Pathare photographed them.
Same director:
Anuradha (1961)Hrishikesh Mukherjee directed both - 10 years apart.
Same director:
Asli Naqli (1962)Hrishikesh Mukherjee directed both.
Same script writer:
Baseraa (1981)Gulzar wrote both - 10 years apart.
Same director and script writer:
Bawarchi (1972)Hrishikesh Mukherjee directed, produced and wrote the screenplay of both; Gulzar wrote the dialogue of them; Jaywant Pathare photographed them.
Same director and script writer:
Bemisal (1982)Hrishikesh Mukherjee directed both; D.N. Mukherjee wrote them; Jaywant Pathare photographed them - 11 years apart.
Same director:
Biwi Aur Makan (1966)Hrishikesh Mukherjee directed both.
Same director and script writer:
Buddha Mil Gaya (1971)Hrishikesh Mukherjee directed both; D.N. Mukherjee wrote them; Jaywant Pathare photographed them.
Same director and script writer:
Chhaya (1961)Hrishikesh Mukherjee directed both; Salil Chowdhury wrote the music of them; D.N. Mukherjee wrote them - 10 years apart.
Same director and script writer:
Chupke Chupke (1975)Hrishikesh Mukherjee directed and produced both; Gulzar wrote them; Jaywant Pathare photographed them.
Same script writer and music director:
Do Bigha Zamin (1953)Salil Chowdhury wrote the music of both; Hrishikesh Mukherjee cut and wrote them - 18 years apart.
Same director:
Do Dil (1966)Hrishikesh Mukherjee directed both.
Same lyricist and actor:
Ghar (1978)Gulzar wrote the lyrics of both.
Same script writer:
Gharaonda (1977)Gulzar wrote both.
Same lyricist and singer:
Ghulami (1985)Gulzar wrote the lyrics of both - 14 years apart.
Same director and lyricist:
Gol Maal (1979)Hrishikesh Mukherjee directing and N. C. Sippy producing again. Sippy paid for very nearly the whole of Mukherjee's career.
Same director and script writer:
Guddi (1971)Hrishikesh Mukherjee directed, produced and wrote both; Gulzar wrote the lyrics, the screenplay and the dialogue of them; Jaywant Pathare photographed them.
- Jaywant Pathare
Jaywant Pathare photographed nearly the whole of Hrishikesh Mukherjee's career, and almost everything of his held here is one of Mukherjee's. He has had no page here until now.
Same music director:
Jhoola (1962)Salil Chowdhury wrote the music of both.
Same director:
Jhoothi (1985)Hrishikesh Mukherjee directed both - 14 years apart.
Same director and script writer:
Jurmana (1979)Hrishikesh Mukherjee directed both; Bimal Dutta wrote them; Jaywant Pathare photographed them.
Same music director and actor:
Kabuliwala (1961)Salil Chowdhury wrote the music of both - 10 years apart.
Same director and script writer:
Khubsoorat (1980)Hrishikesh Mukherjee directed and produced both; Gulzar wrote the lyrics and the dialogue of them; D.N. Mukherjee wrote the screenplay of them.
Same director:
Kissi Se Na Kehna (1983)Hrishikesh Mukherjee directed both - 12 years apart.
Same music director and editor:
Madhumati (1958)Salil Chowdhury wrote the music of both; Hrishikesh Mukherjee cut them - 13 years apart.
Same director:
Majhli Didi (1967)Hrishikesh Mukherjee directed both.
Same director and script writer:
Mili (1975)Hrishikesh Mukherjee directed, cut and produced both; Yogesh wrote the lyrics of them; Bimal Dutta wrote the screenplay of them.
Same director and script writer:
Musafir (1957)Hrishikesh Mukherjee directed, produced and wrote the screenplay and the story of both; Salil Chowdhury wrote the music of them - 14 years apart.
Same director and script writer:
Namak Haraam (1973)Hrishikesh Mukherjee directed and wrote the story of both; Gulzar wrote the screenplay and the dialogue of them; Jaywant Pathare photographed them.
Same director and script writer:
Naram Garam (1981)Hrishikesh Mukherjee directed both - 10 years apart.
Same director and actor:
Naukri (1978)Hrishikesh Mukherjee directed both.
- N. C. Sippy
N. C. Sippy produced for Hrishikesh Mukherjee for twelve years, and almost everything of his held here is one of Mukherjee's films. For twelve years he paid for that particular kind of picture.
Same music director and singer:
Parakh (1960)Salil Choudhury's score. He wrote Parakh's story as well as its music, and was nominated for the Filmfare for the story.
Same director:
Phir Kab Milogi (1974)Hrishikesh Mukherjee directed both.
Same music director:
Poonam Ki Raat (1965)Salil Chowdhury wrote the music of both.
Same director:
Rang Birangi (1983)Hrishikesh Mukherjee directed both - 12 years apart.
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